Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
Brought up in apartheid-era South Africa, Adam Broomberg’s art has always been political and remains so in the Berlin home studio in which he lives and works
The 2025 Wellcome Photography Prize highlights global health challenges through powerful images spanning domestic abuse, climate migration and microscopic disease
In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes
From themes of mythologised memories and ancestral resistance to decolonial archives, this year’s edition of the world’s biggest photography festival centres global narratives
Celebrating the launch of its 500th publication, the publisher specialises in making photobooks by Latin American and Spanish image-makers, and much more
Started as a vehicle for his own work, Arinzechukwu Patrick’s Random Photo Journal has grown into a lively magazine on Africa and beyond
‘Om (Mother) opens for exhibition at FOMU, alongside a book by The Eriksay Connection – Barbara Debeuckelaere tells BJP about the body of work
Where art and commerce in photography meet.
Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
Brought up in apartheid-era South Africa, Adam Broomberg’s art has always been political and remains so in the Berlin home studio in which he lives and works
Discover our selection of new releases
Noteworthy exhibitions, upcoming festivals, print sales and more
Where art and commerce in photography meet.
