Reading Time: 2 minutes Winner of the BJP International Photography Award 2019, Jack Latham discusses his latest photobook Latent Bloom — which seeks to visualise how machine learning adapts and transforms every engagement we have onlineRead More →
Decade of Change
In its inaugural year, Decade of Change will bring together leaders in photography, philanthropy, research and activism to address the climate crisis on a global collaborative scale. From humankind to wildlife and cityscapes to ecosystems, the award will explore both the strength and fragility of our planet — celebrating all that we have to protect, and cautioning all that we have to lose.
Open to photographers and visual artists around the world, the culminating exhibition will tour internationally.
The award is now closed.
Be part of a global movement
With governments repeatedly failing to act, photography can serve as a mirror. A warning sound. A vehicle for truth. Decade of Change will curate some of the world’s most powerful creative responses to the climate crisis in one of the farthest-reaching climate exhibitions the world has ever seen.
Get exhibited worldwide
We’re connecting with leaders in government, business, activism and photography to sustainably tour winning images & moving images to venues across the globe. Exhibition locations include Jockey Club Museum of Climate Change, and The Nest Summit in NY
Get judged by industry leaders
Have your work judged by some of the most influential figures in photography, impact and policy.
The winners of Decade of Change have been announced!
- Up to 40 single images (10 from each category) will be exhibited internationally, alongside two bodies of work and one moving image feature
- Get published to a global audience of 2+m on 1854.photography
- Get your work reviewed by a panel of leading industry experts
- Get your work exhibited internationally
- Get published to a global audience of 2+m on 1854.photography
- Get your work reviewed by a panel of leading industry experts
Decade of Change presents our largest, most prominent judging panel to date. Confirmed judges include:
Hindou Oumarou Ibrahim
Former CEO, Leonardo DiCaprio Foundation
Reporter and Video Producer, Visual Investigations Team, The New York Times
Picture Editor, Greenpeace
Founder and Executive Chairman, CDP
Vice President of Environmental Responsibility, Lego
Kathleen Lei Limayo
Asia & Pacific Video Producer, 350.org
Director and Founder of the Climate Museum, New York
The Stories Competition invites photographers to submit a body of work addressing the climate crisis — however you interpret it. This work might explore causes, effects, efforts to reverse or adapt to the changing climate; it could celebrate all that we have to protect, or warn of trouble ahead.
Possible themes include people and the anthropological causes and effects of the crisis; action and protest; urban life, and the ways in which cities and towns are implicated; the natural world and changing life under water, on land and above air; questions of science, progress and innovation; possible futures.
Moving Image Competition
The Moving Image Competition invites visual artists to submit a film up to ten minutes in length addressing the climate crisis — however you interpret it. See the above Stories Competition section for inspiration on possible themes.
Single Image Competition
The People category intends to hold up a mirror to humankind and explore the anthropological implications of the climate crisis: the ways in which we, as a population, are fueling, affected by or responding to it.
Entries to this category could depict issues of community, health, livelihood, education, consumerism/consumption, agriculture, economy, consequences and effects, protest, action, unity.
Estimates suggest that cities are responsible for 75 percent of global CO2 emissions.1 The Urban category considers the ways in which cities and towns are accountable for and impacted by the climate crisis, as well as their integral part in fighting it.
Entries to this category could depict issues of infrastructure, transport, housing, buildings, urban activities, industry, business, pollution, city-based solutions (e.g. recycling or cleaner production techniques).
Global warming is likely to be the greatest cause of species extinctions this century.2 The world’s ice, snow and permafrost is melting. Coral reefs are disappearing at breakneck speed. The Nature category paints a picture of changing life below water, on land and above air, considering both nature in all its splendour and nature in decline.
Entries to this category could depict scenes of wildlife, natural habitats, landscapes, ecosystems, rising sea levels, deforestation, weather conditions, or other.
The United Nations reports that the world is continuing to drift further off course in limiting climate change.3 The Future category considers our progress, and questions the future in store.
Entries to this category could depict areas of science, technology, innovation and solutions, as well as more cautionary portrayals of the decline of our planet.
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Reading Time: 3 minutes Joint runner-up for the BJP International Photography Award 2020, Elena Helfrecht’s Plexus considers how trauma ripples through familial generations in an abstract series of still lifesRead More →
Reading Time: 3 minutes BJP delves deeper into the compelling curation of contemporary photography on show at Seen Fifteen Gallery until 22 MayRead More →
Reading Time: 3 minutes Winner of the BJP International Photography Award 2020, Lhuisset parallels the heroism of Kurdish guerilla fighters in Iraq with their plight once they come to seek refuge in EuropeRead More →
Reading Time: 4 minutes In the second of our interviews with BJP IPA 2019’s judges, we meet Sarah Allen.…Read More →
Reading Time: 4 minutes Under the back garden of an unremarkable family home in Las Vegas is an extraordinary 16,000sq ft, all-pink, bomb-proof bunker. Inside are decadent bedrooms decorated with crystal chandeliers and baby pink wallpaper, and a bathrooms with a hot-pink toilet, white marble hot tub, and opulent golden fittings. Surrounding the house is a hand-painted mural of the countryside, and an underground garden with a swimming pool and fake trees growing out of a carpet that stands in for grass.
“It’s basically a house within a house,” explains Juno Calypso, who spent three days of solitude in the bunker, for her project What To Do With A Million Years. Designed to be safe from any disaster or intruder, the bunker was built in 1964 by Avon cosmetics founder Gerry Henderson and his wife, who were terrified of a potential nuclear breakout in the advent of the cold war.
Calypso is currently showing the series at London’s TJ Boulting gallery, and has transformed the basement space into a version of the garden, complete with fake plants, eerie mood lighting, and a soundtrack of soft romantic rock that plays against the continuous sound of running water from a stone fountain in the corner.Read More →
Reading Time: 3 minutes The winners of the International Photography Award 2018 are Copenhagen-based collective Sara, Peter & Tobias,…Read More →
Reading Time: 6 minutes Last few hours left to apply! BJP IPA 2019 deadline: 20 December, 2018. There will be…Read More →
Reading Time: 4 minutes The series draws on contemporary documentary practices to reflect the bewildering atmosphere of the region,…Read More →
Frequently Asked Questions
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I have a promotional code, how can I use it?
Please first choose the type of entry you wish to make (eg, one series entry). On the next page you will be able to enter your promotional code, and after submitting that form you will see your discount applied.
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Please note that most codes are time-limited. If the deadline for using your code has passed, it will not be usable.
I bought too many entries / ran out of time, can I get a refund?
Sorry, but all entry fees are non-refundable, as stated in the terms and conditions that you accepted on entry.
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You will need to click on the members log in section on the submission platform, and enter your membership number in order to submit your entries.
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If your images have uploaded correctly you will see a small version of each photo on the entry page, alongside the caption you entered. If you cannot see your photo, then your image has not uploaded correctly. If a caption has been stored but no image, you can delete it using the Edit option.
I can’t upload my images – I see a green bar, it says 100%, but that’s it
Our image uploader is designed to work with all modern web browsers, but some – in particular, Internet Explorer 11 – aren’t able to use it. If you are unable to upload your images please either download a modern browser (we recommend Google Chrome), or click the link on the upload page to use our Classic Uploader instead.
What’s the Classic Uploader?
The Classic Uploader uploads image files in a way that’s slower, but better supported by old browsers such as Internet Explorer 11. Please note that it can accept JPEG files of up to 5MB in size only, and that you will experience a wait after clicking the Upload button.
Can I send my photos by email / WeTransfer / on DVD / some other way
We can only accept images that are uploaded using our entry system. This ensures that each one is logged with your entry details, and made available to our judges.
I uploaded one image, and now want to go back to upload more, but the system will not let me do so – what’s wrong?
Either the competition deadline has passed, or you have previously submitted your entry to the judges. In order to do so you will have read a notice warning you, and ticked a box confirming your understanding, that doing so would prevent you from making any further changes.
There isn’t enough room for my image title, or other text
Please note that maximum lengths that apply to these texts. The length limits are noted on the form used to enter them and are given in characters (letters), not words.
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The Submit button appears at the top of your entry page once you have uploaded at least one image.
What happens when I submit my entry?
Your entry will be confirmed on a web page after submitting, and then we will send you a confirmation email, and your images (along with their captions, statements etc) are stored, ready to be viewed by the judges.
I have submitted my entry – can I change it?
No, once your entry has been submitted you may no longer alter it in any way.
Could you please check my images / text / entry?
I’m afraid this isn’t possible – our system receives thousands of images, so we can’t check individual ones. Please ensure that you are happy with your images and statement before submitting it.
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Your entry confirmation email includes a full VAT invoice, we can not provide any other invoice request
Can you please tell me what category I applied for?
Your entry confirmation email includes your selected category
Professional and non-professional photographers from all over the world are eligible to enter.
Entries can be shot using any camera model (film or digital) or electronic device, and images may be portrait, landscape or square in format.
1854 Media reserves the right not to show the submitted work
Each entrant will be deemed to warrant that they own the entire copyright for the work or that they have permission from the licensee and/or copyright owner/s for the uses.
Each video must be a maximum of 10 minutes. All submissions must be made by providing a link to a video platform. Please do not upload videos to the system.
Each image can be a maximum of 10MB in size. All images must be submitted as JPEG files – any files submitted in any other format (including TIFF, PDF, PSD etc) will be discarded.
You may submit a title (200 character limit) and caption (750 character limit) for each photograph entered. For the Stories Category, you can also provide an artist’s statement (1000 character limit). All accompanying text must be written in English.
The deadline for entries is 28 January 2021 23:59 (UK Time).
Judging will take place shortly after the deadline.
Once your images and captions have been uploaded to the system you will see an option to submit your entry. Once submitted, your entry cannot be altered. Only submitted entries will be viewed by the judges.
The winners must be available to supply high-res files promptly for exhibition purposes.
Digital files of the winning images will be created for press and publicity purposes.
1854 Media & British Journal of Photography cannot be responsible for any loss or damage to submitted work.
No copyright is transferred to 1854 Media & British Journal of Photography in respect of any work entered or accepted.
1854 Media & British Journal of Photography reserve the right to display, reproduce and publish in any media, any entry, without payment, for the sole purpose of Decade of Change – this year and in future – and its promotion and publicity.
1854 Media will organise and cover costs from the framing, printing, curation and production of the Decade of Change show.
A selection of images will be published through 1854 Media & British Journal of Photography digital channels.
You will be asked to pay for your entry by Credit Card. All payments are handled securely by our payment partner Stripe. After payment, you will receive an email containing a personal upload URL, where you may submit your images and statement.
All entry purchases are final. Having purchased an entry, it is your responsibility to upload and submit your images and statement before the deadline. No refunds will be issued.
In order to receive your award status, you must be subscribed to the Awards Communications list on our mailing system. If you have not received your status after the deadline, you must simply resubscribe by filling out a form to our newsletter list.
Please note that 1854 Access members entering awards as part of their membership (as opposed to a paid entry) will be required to remain a member throughout the periods when awards are judged and exhibitions/outputs are planned, for their entries to be eligible.
All entries are subject to 1854 Media’s General Competition Terms and Conditions
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Enter the Decade of Change award now, and change the course of your career.
This award is now closed.