Reading Time: 3 minutes In Surat, Atong Atem restages her family album, celebrating the visual language of family photographs, and photography as an extension of our traditions
Reading Time: 3 minutes Shooting for clients like Vogue, Burberry and COS, as well as for himself, Savaci’s work is informed by desire to create a sense of order from his looser, more organic early years
Reading Time: 5 minutes The eighth edition of the festival is directed by Koyo Kuouh, who has created a space to debate how the ubiquity of imagery is changing the way we think and behave
Reading Time: 5 minutes
Reading Time: 4 minutes The Covid-19 pandemic hit the international photography magazine hard. Here, Vroons discusses GUP’s journey thus far, a new redesign, and how you can get involved
Reading Time: 3 minutes “Choices we make as humans about our bodies, choices we make about the technology we develop, choices we make ‘for’ the environment, are all intertwined. We can’t look into problems from just a single perspective.”
Reading Time: 3 minutes Growing up in Australia, Kumar was dismissive of her Indian heritage. ‘Ghar’ and ‘Nagar’ – meaning ‘home’ and ‘town’ in Hindi – are part of her ongoing efforts to re-discover her “Indianness”, as she puts it
Reading Time: 2 minutes Laub has been photographing her family for the last 20 years. The resulting photobook is by turns lavish, hilarious, and moving
Reading Time: 8 minutes Consumerism and imperialism have long been explored and visualised in photography. Indeed, images themselves are a commodity that perpetuate the cycle. But with the dawn of the internet and new technologies, the heightened awareness of the climate crisis, intersectional thought and need for decolonisation, photography’s relationship to capitalism is being reexamined.
Reading Time: 3 minutes Using tights crops of her facial expressions during labour, a portrait of the intense experience is created