Questions around surveillance and control circle around the photography at FORMAT Festival, now on show in Derby
Exhibition
A group show put together by a Polish and a Hungarian curator, European Kinship: Eastern European Perspective picks out a shared sensibility across Eastern Europe – and beyond
A rich family history of political struggle and personal responsibility, diverging paths and roads left untrod inform Thero Makepe’s We Didn’t Choose to be Born Here
The Greek photographer’s latest solo show blends his photography with found imagery to create an actively critical voice, Phin Jennings finds
The Tunis-born fashion artist uses photography to express the complications of queer love and personal history
The American artist tells Sarah Moroz about his latest show I, Narcissus, an exploration of self-love, at Houk Gallery
The photographer’s meteoric success is a testament to the stark reality of life on the ground in Jenin refugee camp. In this feature, Khader explains why he photographs the dead, bites back at accusations of ‘terrorism’ of his work, and discusses his upcoming debut monograph and debut solo show at Foam, exploring the role of the grieving mother in Palestine
A building glows crimson. There is little to indicate where we are. No signage. No people. The image has a timeless quality. Peaceful, like some half-remembered dream drifting through the mind.
Jaou Tunis is creating a gathering point for artists from Tunisia, the SWANA region, and its diaspora, reflects Taous Dahmani, who curated two shows at this edition – Unstable Point and Assembly
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