Creative duo and club stalwarts Martin Green and James Lawler take a utopian yet realistic look at 90s Queer nights in Britain, at Open Eye Gallery

Creative duo and club stalwarts Martin Green and James Lawler take a utopian yet realistic look at 90s Queer nights in Britain, at Open Eye Gallery
A rich family history of political struggle and personal responsibility, diverging paths and roads left untrod inform Thero Makepe’s We Didn’t Choose to be Born Here
How to Unname a Tree dismantles the notion of trees as static symbols, revealing them as beings that blur the lines of identity
In an award held in partnership with WePresent, four photographers will be chosen to exhibit at Galerie Huit Arles in July alongside Les Rencontres d’Arles. Enter now.
Using archive imagery, collaboration, extreme close-ups and staged photographs, the Iranian photographer delves into portraiture and culture
Setting up a mobile studio in a Bolivian market, the photographer offered locals free portraits – Sergio Valenzuela-Escobedo speaks with him about collaboration, performance and the societal role of the itinerant photographer
Following their Berlin solo debut, the artist’s latest show travels to London this spring
The photographer reflects on her recent participation in the 1-54 Contemporary African Art Fair with Rand Al-Hadethi
Holding Space at 10 14 gallery features several emerging artists who shine a light on interdependence in global communities
For many of us, traditions – the rituals and customs passed down by our ancestors from generation to generation – form the basis of our personal narratives. We create a linear connection between our past, present and future through tradition and storytelling. Through the lenses of global photographers, we learn how customs are upheld and changed and whether they are still relevant today.
Tradition, as a subject, has been addressed in photography projects for decades. Some of the most recognised series, such as Larry Towell’s The Mennonites, document the unique customs of communities where tradition lies at the heart of their everyday existence.
British documentary photographer Alys Tomlinson too, has spent her career capturing tradition through faith and spirituality. Wendy Red Star’s oeuvre is concerned with keeping her community's archive alive, lest it be forgotten or cloistered in museums, divorced from those to whom it belongs. In this Collection you will find projects and long-form interviews with artists sharing personal stories on their traditions and those they have learned from others. There are also pieces that scrutinise the customs of photography and whether they should be challenged, subverted and reconsidered. We ask, which traditions to preserve and which to forget?