Reading Time: 3 minutes “Surprise always operates within me. So let us hope that something comes along to surprise me soon”
Reading Time: 3 minutes
Reading Time: 3 minutes “In my projects, I always start with questions”
Reading Time: 3 minutes The Japanese photographer reflects on her career, and how her appreciation of ambiguity and closeness to nature has helped her make sense of the pandemic.
Reading Time: 3 minutes Before REM, the band he fronted for more than three decades, there was photography.
Reading Time: 3 minutes An early pioneer of colour photography and digital printing, the 77-year-old is best known for his cinematic, light- strewn images of Morocco, Russia, the US and his native Belgium. Working across six decades, he’s produced many books, including the recent East/West and Edges, both published by Thames & Hudson
Reading Time: 3 minutes Originally trained as a journalist, Barcelona-born Laia Abril expanded her storytelling methods after studying at New York’s ICP. She is best-known for the first chapter of her long-term project A History of Misogyny, On Abortion, which recently won the Paris Photo-Aperture Foundation PhotoBook of the Year Award and has been shortlisted for the 2019 Deutsche Börse Photography Foundation Prize
Reading Time: 3 minutes The Parisian curator Quentin Bajac has spent the past two decades working in three of the world’s leading cultural destinations – starting out at the Musée d’Orsay, he moved to Centre Pompidou, and then the most coveted post of all, chief curator of photography at MoMA in New York. Here he shares his insights into photography and life with BJP editorial director Simon Bainbridge
Reading Time: 3 minutes This “photographer’s photographer” is known for his measured understatement and his influential books, such as The Pond (1985) and Berlin in the Time of the Wall (2004). His latest, Looking Up Ben James – A Fable, will soon be published by Steidl, and he’s currently working on his next, The Last Days of Fontainebleau, shot in his hometown, Washington DC
Reading Time: 3 minutes In 1969 the Finnish-born photographer Sirkka-Liisa Konttinen ditched her filmmaking course, moving to Newcastle with a group of idealistic young ex-students to found the Amber collective, and embarking on a series of long-term projects, including her seminal work on Byker, which was inscribed in the Unesco UK Memory of the World Register. Nearly 50 years on, she continues to live and work in the north-east as a member of Amber