Co-curator Fabiana Sotillo explains how the show has been structured and the importance of considering photography as a valid medium of fine-arts
The academic is based in the Department of War Studies at King’s College London but, she explains, her work centres around peace photography
The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
A conversation with Luis Juárez, editor of LATAM’s first queer photography magazine, on its latest issue and collaboration with Nan Goldin
Galerie Bene Taschen exhibit the works of Jamel Shabazz, Joseph Rodriguez and Gregory Bojorquez throughout the 1980s and 90s, documenting the genre’s rise to popularity
With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories
The New York gallery welcomes its artists to co-curate an exhibition marking three decades of work
Dreams on the Dying Stone charts migration, labour and agriculture in a country which is grappling with a politically polarised mood
Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
Where art and commerce in photography meet.
Co-curator Fabiana Sotillo explains how the show has been structured and the importance of considering photography as a valid medium of fine-arts
The academic is based in the Department of War Studies at King’s College London but, she explains, her work centres around peace photography
The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
Discover our selection of new releases
Noteworthy exhibitions, upcoming festivals, print sales and more
Where art and commerce in photography meet.
