The UNICEF Ambassador for Photography recounts how she got her start in documenting humanitarian and environmental issues for the likes of WWF, Save the Children and the Elton John AIDS Foundation

The UNICEF Ambassador for Photography recounts how she got her start in documenting humanitarian and environmental issues for the likes of WWF, Save the Children and the Elton John AIDS Foundation
Graeme Bulcraig, founder of Touch Digital, on how a new wave of photographers, ones adept and versatile across multiples styles and media, are now leading the way in commercial photography
Describing herself as a “hybrid creative”, the art director, writer, curator, and more discusses how she built a successful career as a freelancer
The author of Me + Mine discusses her origins in zines, graduating to photobooks and the importance of clinging onto print
Julie Cook, head of art at Mother London, gives an insight into working at a global creative agency, and advice for emerging photographers
“Even though it’s extremely capitalist and you’re contributing to a lot of problems and helping corporations sell things, it gets weird imagery to the masses in a way that galleries and more niche circles do not”
Most photographers dream of signing with an agent. But how do you get their attention? James Gerrard-Jones, managing director at Wyatt-Clarke & Jones, shares what he’s looking for.
When Covid-19 hit, the prestigious portrait prize decided to migrate online. Here, the National Portrait Gallery’s senior curator explains why, and how, they did it
From leading editorial photographers on the concept behind their latest cover shoot to global curators sharing their approach to collecting, major industry figures take us behind the curtain of their professional practices.
Highlights include David Brandon Geeting on commercial still life photography, Quil Lemons on shooting Billie Eilish for Vanity Fair, Azu Nwagbogu on resisting the authority of the archive and Alessia Glaviano on running a festival amid a global pandemic.