Where does photography fit into a legacy literary magazine? Max Ferguson talks poets, projects, and the amateur aesthetic

Where does photography fit into a legacy literary magazine? Max Ferguson talks poets, projects, and the amateur aesthetic
Many socially engaged practices rely on collaborations with marginalised communities – but if a photographer receives funding, should their participants also be paid?
Zilan Imşik creates shimmering images around four Turkish cities to memorialise Kurdish disappearances in the 1980s and 90s
Victoria Maidstone’s graduate project traces both the river Severn, and her own complex relationship with nature, to their source
Jade Carr-Daley was two weeks into her photography course when she found out she was pregnant. Her ongoing project documents her transition from student to caregiver
Cíara Hillyer has spent her life in and out of hospitals. For her, they are a space of comfort and peace, where she can be vulnerable – feelings she captures in her delicate project, Breathing Space.
Inspired by her childhood imagining wild detective stories, Laura Chen has constructed a new world of justice, lying somewhere between fact and fiction
The death of Fion Hung’s grandmother prompted the photographer to reexamine a strained family dynamic informed by mediaeval folk tales
Laura Foster’s collaboration with a florist friend is based on an unexpected and long-hidden bond: that they have grown up supporting mothers living with substance abuse
From leading editorial photographers on the concept behind their latest cover shoot to global curators sharing their approach to collecting, major industry figures take us behind the curtain of their professional practices.
Highlights include David Brandon Geeting on commercial still life photography, Quil Lemons on shooting Billie Eilish for Vanity Fair, Azu Nwagbogu on resisting the authority of the archive and Alessia Glaviano on running a festival amid a global pandemic.