Set up in Beirut in 1997, the AIF has become a key institution in the region – and has now expanded in a larger public-facing home

Set up in Beirut in 1997, the AIF has become a key institution in the region – and has now expanded in a larger public-facing home
Investment in a vast new photography centre illustrates the scope of the city’s cultural reach, adding to China’s stature as a global photo destination
Europe’s most popular professional photo sharing software eases the collaboration between artist and brand
Known for his portrait and landscape work, Kander has a meditative approach in his London studio – and a profoundly subjective take on making images
From Sheffield to Peckham via Japan, the artist is tireless in his search for life in all its complexity. His next journey is to the heart of ‘future nostalgia’. We catch up with him at his London studio
Ahead of a new show pairing Francesca Woodman and Julia Margaret Cameron, we get to know the National Portrait Gallery’s senior curator of photographs
The photographer’s influences range from Eve Arnold and Pre-Raphaelite painters to her artist mother. She welcomes us to her West London studio, Leica camera in hand
The Indian photo expert talks through her career in non-traditional spaces – and reveals how exhibitions can act as ‘portals’ for equity
Richard Ovenden has spearheaded a photography focus at Oxford’s Bodleian Libraries, helping ensuring archives find secure homes and rediscovering historic images
From leading editorial photographers on the concept behind their latest cover shoot to global curators sharing their approach to collecting, major industry figures take us behind the curtain of their professional practices.
Highlights include David Brandon Geeting on commercial still life photography, Quil Lemons on shooting Billie Eilish for Vanity Fair, Azu Nwagbogu on resisting the authority of the archive and Alessia Glaviano on running a festival amid a global pandemic.