1854’s FastTrack programme promotes unsigned talent in the commercial sphere. Here, three winners discuss their practices, reflecting on autonomy, intimacy, and playfulness
Fasttrack
1854’s FastTrack programme promotes unsigned talent in the commercial sphere. Here, three winners discuss their practices, reflecting on teamwork, learning from new mediums, and the possibility for new queer photography
Here, three of this year’s winners discuss the practices, including their attention to the everyday, the honesty of community, and the playfulness of the camera
Introducing 1854’s Fast Track Vol. 2 winners: Ulas & Merve, Sophie Jane Stafford and Aïcha Nadaud Fall
Introducing 1854’s Fast Track Vol. 2 winners: Jessica Ledwich, Susan Richman and Samira Saidi
1854’s FastTrack open call promotes unsigned talent in the commercial sphere. Here, we meet three winners from Fast Track Vol. 2: from the power of portraiture to the allure of collage, they discuss the techniques that make them tick
1854 Fast Track seeks out the industry’s brightest unsigned talent to promote them in the commercial sphere. From visualising invisible illnesses to capturing vanishing landscapes, we unpack the practices of three more of this year’s winners
1854 FastTrack seeks out the industry’s brightest unsigned talent to promote them in the commercial sphere. From celebrating queer African identity to documenting the punters of of pigeon racing, we unpack the practices of three more of this year’s winners
1854’s FastTrack open call promotes unsigned talent in the commercial sphere. Here, we meet three of this year’s 18 winners: from shimmering desert cities to hallucinatory dream places, they explore worlds both real and imagined through the lens
A new “career accelerator” for unsigned artists, 1854’s FastTrack open call promotes fresh talent in the commercial sphere. Here, we meet three of this year’s 18 winners: from black magic to local myths, they explore the stories that shape us from childhood