We sit down with Slidefest organiser and Gulf Photo Plus Director Mohamed Somji to hear about the motivations behind the event and this year’s theme, Diaspora

We sit down with Slidefest organiser and Gulf Photo Plus Director Mohamed Somji to hear about the motivations behind the event and this year’s theme, Diaspora
180 Studios hosts Selah, the largest exhibition of the inimitable photographer and filmmaker to date
Bound by Two Homes blends Iranian cultural iconography with quintessentially British spaces to dissect identity
People of My Time at Hannah Traore Gallery brings together 50 works spanning two decades, celebrating the intersection of tradition and pop-culture
Margarita Galandina and Alice Poyzer are the series winners of BJP’s 2024 Female in Focus; and this year, BJP is introducing a People’s Choice category for one outstanding image in the award
The Italian photographer spent years in Iraq focusing on its Shia communities and complicating the idea of ‘social Islam’
Creative duo and club stalwarts Martin Green and James Lawler take a utopian yet realistic look at 90s Queer nights in Britain, at Open Eye Gallery
A rich family history of political struggle and personal responsibility, diverging paths and roads left untrod inform Thero Makepe’s We Didn’t Choose to be Born Here
How to Unname a Tree dismantles the notion of trees as static symbols, revealing them as beings that blur the lines of identity
For many of us, traditions – the rituals and customs passed down by our ancestors from generation to generation – form the basis of our personal narratives. We create a linear connection between our past, present and future through tradition and storytelling. Through the lenses of global photographers, we learn how customs are upheld and changed and whether they are still relevant today.
Tradition, as a subject, has been addressed in photography projects for decades. Some of the most recognised series, such as Larry Towell’s The Mennonites, document the unique customs of communities where tradition lies at the heart of their everyday existence.
British documentary photographer Alys Tomlinson too, has spent her career capturing tradition through faith and spirituality. Wendy Red Star’s oeuvre is concerned with keeping her community's archive alive, lest it be forgotten or cloistered in museums, divorced from those to whom it belongs. In this Collection you will find projects and long-form interviews with artists sharing personal stories on their traditions and those they have learned from others. There are also pieces that scrutinise the customs of photography and whether they should be challenged, subverted and reconsidered. We ask, which traditions to preserve and which to forget?