Renowned for his photographic investigations, Mathieu Asselin now turns his lens on Dieselgate, revealing the car industry’s violent and exploitative relationship with nature

Renowned for his photographic investigations, Mathieu Asselin now turns his lens on Dieselgate, revealing the car industry’s violent and exploitative relationship with nature
Shot over two decades, Thatcher’s Children follows two generations of the Williams family, let down by the systemic failure of successive governments’ social policy
Referencing an EE Cummings poem, Of Solongs and Ashes brings to mind the fleetingness of life – and memories of the country the artist was forced to flee
Growing up in a small town in Eastern Croatia, Matej Jurčević has watched the community transform as the new generation moves away to seek opportunities in Europe. He photographs the spaces and memories they leave behind.
For his latest project, Chris Hoare chronicles life in his home city following a period of political upheaval
Alejandro Acín’s new book chronicles the 24 hours leading up to the UK officially ending its relationship with the EU
“I’m interested in photographing what the world looks like when we can’t agree on what’s real,” he says
Speaking from Lviv, Neville shares his experience of the war in recent days and the reasons for making his latest book, Stop Tanks with Books, about the lives of Ukrainian people
Consumerism and imperialism have long been explored and visualised in photography. Indeed, images themselves are a commodity that perpetuate the cycle. But with the dawn of the internet and new technologies, the heightened awareness of the climate crisis, intersectional thought and need for decolonisation, photography’s relationship to capitalism is being reexamined.