The photographer’s latest project blends moving image, audio recordings, poetry and photography, examining the after effects of Australia’s bushfires
![](https://www.1854.photography/wp-content/uploads/2021/02/045_SPOTTED-900x720.jpg)
The photographer’s latest project blends moving image, audio recordings, poetry and photography, examining the after effects of Australia’s bushfires
The French-Polish photographer sheds light on the experience of 15 individuals who took a leap of faith and fled the dictatorship, in search of a better life in South Korean
Drawing on Amsterdam’s IHLIA LGBT Heritage and Homologie magazine, Lerma pieces together a new narrative to represent the experience of gay men outside of stereotype
Milach’s new book triptych, I Am Warning You, provides an architectural survey of three fortified borders: the US-Mexican wall, the Hungarian border fence, and the Berlin Wall
Off the back of photographing Joe Biden and Kamala Harris for TIME, the Spanish-Mexican-Colombian photographer discusses her practice.
Over two decades since Raised by Wolves was published, Jim Goldberg presents a collection of unseen Polaroids from his decade-long documentation of Californian teenagers
Juliette Cassidy travelled to Afghanistan to photograph the young girls attending one of five skate schools run by Skateistan: a non-profit aiming to educate and empower children through skateboarding
Mehta documents the daily happenings of his home borough, Brent, between 1989 and 1993, which he celebrates for its multiculturalism in his new book
History is said to be our greatest teacher. Photography’s own is divisive and complex, but through understanding the framework, we can learn.
In this Collection, we explore the work of photographers who have done just that, also drawing on the extraordinary events of the last year and beyond to build new and compelling narratives.
The contributors of Then & Now ruminate upon themes of memory, heritage, identity, religion and conflict among others, from both a personal and shared perspective. There is no looking to the past without considering the archive, which image-makers here celebrate both through reference, and by giving it a new life in contemporary, creative contexts.