The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
Agenda
Galerie Bene Taschen exhibit the works of Jamel Shabazz, Joseph Rodriguez and Gregory Bojorquez throughout the 1980s and 90s, documenting the genre’s rise to popularity
The New York gallery welcomes its artists to co-curate an exhibition marking three decades of work
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
The 2025 Wellcome Photography Prize highlights global health challenges through powerful images spanning domestic abuse, climate migration and microscopic disease
In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes
From themes of mythologised memories and ancestral resistance to decolonial archives, this year’s edition of the world’s biggest photography festival centres global narratives
‘Om (Mother) opens for exhibition at FOMU, alongside a book by The Eriksay Connection – Barbara Debeuckelaere tells BJP about the body of work
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting on the latest recipient, Hannah Darabi’s Why Don’t You Dance?
Now in its fifteenth year, the UK and Ireland’s largest photographic festival is back. Belfast Photo Festival’s theme ‘Biosphere’ asks what we owe the land and what we owe each other.