Since it’s launch in 2017, Dan Mariner and Marianne Bjørnmyr’s NŌUA has gone from studio space to cultural hub

Since it’s launch in 2017, Dan Mariner and Marianne Bjørnmyr’s NŌUA has gone from studio space to cultural hub
Theo Deproost was given free rein in the collection of the Royal College of Physicians, casting his lens over objects ranging from cigar lighters to anti-pollution masks. The results are both educative and eccentric
Captured over the last eight winters, the images in Southam’s book and exhibition presents serene landscapes animated by the ebb and flow of a bevy of swans
A new show brings together the two feminist artists for the first time, a dialogue of excess and material experiments in latex, flowers, seashells and flesh
A new exhibition pairs the Tunisian designer’s clothes with Elgort’s photographs of early-career supermodels in Paris – a time when dance, street photography and fashion were one.
Now in its second issue, Circus is absurdly large anti-beauty magazine. Here, its founder tells us more about its ethos and production process
Journey through Sari Soininen’s transformative acid trip, the new Centre for British Photography, and the photo journal keeping Hanoi’s scene alive in some of this month’s most read stories
“It’s a way for me and my mum to heal our relationship, for us to get closer and for me to get to know her in a different way,” says Aria Shahrokhshahi, of his OpenWalls Arles winning portrait: Mum went and Fell
As nominations pour in for Laura Poitras’ All the Beauty and the Bloodshed, Daisy Woodward speaks to the film’s director about shame, bravery, and Goldin’s life in activism