This Will Not End Well is the artist’s first retrospective as a filmmaker; Milan, Italy is one of many stops on its major touring route
 
	 
	This Will Not End Well is the artist’s first retrospective as a filmmaker; Milan, Italy is one of many stops on its major touring route
 
	The British Nigerian, Oscar-nominated photographer makes his solo debut at Hope 93, Fitzrovia, in The Purpose of Light – stories of global activism
 
	The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
 
	‘Om (Mother) opens for exhibition at FOMU, alongside a book by The Eriksay Connection – Barbara Debeuckelaere tells BJP about the body of work
 
	Artist-run collective Better Entry brings together six artists from across the art and fashion world, each given a film camera to capture personal narratives
 
	Making use of the Palestine Museum’s large digitised collection, Rachel Dedman curates photographic context to visual heritage not “limited to colonial collections”
 
	Opened by Hashem El Madani in 1953 in Saida, the studio documented many sides of the Lebanese community, a legacy that Akram Zaatari is on a mission to preserve
 
	The charitable print sale’s co-founder, Isabella van Merle, reveals to Sarah Moroz the stories behind some of the images featured this year
 
	This year’s cohort covers projects from Gaza, Lebanon, Afghanistan and more, bearing witness to global atrocities and sharing marginalised stories of resilience
 
	The photographer’s meteoric success is a testament to the stark reality of life on the ground in Jenin refugee camp. In this feature, Khader explains why he photographs the dead, bites back at accusations of ‘terrorism’ of his work, and discusses his upcoming debut monograph and debut solo show at Foam, exploring the role of the grieving mother in Palestine