In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes

In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes
Started as a vehicle for his own work, Arinzechukwu Patrick’s Random Photo Journal has grown into a lively magazine on Africa and beyond
“This is an ambitious, multilayered project,” says Nathalie Herschdorfer, director of Photo Elysée and Jury President of the Lausanne museum’s biennial prize for a mid-career photographer, commenting on the latest recipient, Hannah Darabi’s Why Don’t You Dance?
Set up in 1990, the space remains committed to image-making and image-makers, and now has a handsome new London home
In the pages of The Secrets of Sexual Fulfilment, Mahvash – a popular figure among the working class of 1950s Tehran – presented playfully risqué images of herself alongside the fictionalised story of her life.
The photographer tells BJP about Beeton Grove, a tender photobook documenting the rhythms of a neighbourhood, published by Bluecoat Press
The filmmaker returned home to shoot Stepney Western by taking cue from the archives of Tish Murtha, Mik Critchlow and Chris Killip
Falmouth University’s 120-year legacy is maintained through online courses, allowing emerging photographers to participate flexibly and flourish from any territory
Margarita Galandina and Alice Poyzer are the series winners of BJP’s 2024 Female in Focus; and this year, BJP is introducing a People’s Choice category for one outstanding image in the award