The photographer discusses his deep connection with horses, the universal truths they embody, and how they inspire his sensorial photography

The photographer discusses his deep connection with horses, the universal truths they embody, and how they inspire his sensorial photography
The photographer reflects on her recent participation in the 1-54 Contemporary African Art Fair with Rand Al-Hadethi
The photographer is at play with the boundaries that confine both their lens-based practice and the socio-political context of their subjects, finds Matilde Manicardi
After documenting societal change in the UK for over 50 years, the colour pioneer receives a well-deserved retrospective in the city where it all began
David Moore’s pictures of Midlands housing estates pioneered kitchen sink realism in colour. Revisiting them is a chance for archival control and new representation, he tells Louise Benson
The Swiss Magnum member is best known for his post-war photojournalism, but an unearthed archive of colour work may change and enrich his legacy. Rosalind Jana picks over Bischof’s new shades
On the occasion of the retrospective, we revisit Imogen Greenhalgh’s trip to Fabian Miller’s Dartmoor studio, at a pivotal moment in his practice as he moved into new experiments with colour and form
Aronson releases the second edition of Tropicana — a vibrant exploration of Floridian youth. 100 per cent of proceeds will be donated to the Youth Concept Gallery, an organisation providing creative arts learning centres to incarcerated youth in the South Florida area
An early pioneer of colour photography and digital printing, the 77-year-old is best known for his cinematic, light- strewn images of Morocco, Russia, the US and his native Belgium. Working across six decades, he’s produced many books, including the recent East/West and Edges, both published by Thames & Hudson
“Plankton are intriguing and beautiful creatures,” says Japanese photographer Ryo Minemizu. “They symbolise how precious life is by their tiny existence.”
He’s been shooting plankton for 20 years, spending between two and eight hours underwater everyday recording the tiny creatures, which can be plants, animals, or other types of organism. Drifting in the ocean, unable to swim against the current, plankton are the most abundant life form on earth after bacteria, but measuring 2mm-40mm in size, are invisible to the naked eye. Minemizu has registered his own technique to photograph them, which he’s called Black Water Dive, and which involves setting a stage underwater using flashes and other forms of lighting.