The photographer tells us about his latest book collaboration with SkatePal, and about documenting Palestinian community

The photographer tells us about his latest book collaboration with SkatePal, and about documenting Palestinian community
Beyond Gaza, image-makers are creating representations of Palestinian life that challenge western stereotypes and find beauty in the everyday
The Boston artist’s ‘Before Freedom’ series has captured the minds of gallery goers and activists alike
In a one-off event at the Stephen Lawrence Gallery, Slidefest brings together five photographers exploring overlooked aspects of Palestinian life
Drawn from patchy WhatsApp video calls made between 2015 and 2017, Taysir Batniji’s new publication directly supports the NGO
Featured in the Agenda section of our upcoming Portrait issue, the Biennale has been cancelled in response to Facebook posts by one of its three Bangladeshi curators – sparking contention among the organisers and curatorial team
For almost a decade Morgan Ashcom thought his images of Palestine’s West Bank had been destroyed – now, after rediscovering the corrupted film, he considers them a metaphor for oppression
Using technological interventions, the photographers expose hidden, forgotten, and destroyed parts of the landscape
“At its heart, this exhibition is a story of family,” says Wiles. “Photography is not just a thing that is done by ‘photographers’. These pictures are part of their story.”
Born in Athens in 1960, Yannis Behrakis was inspired to take up photography after chancing across a Time-Life photobook as a young man. Going on to study photography in Athens and at Middlesex University in the UK, he starting work for Reuters in 1987, and by 1989 had been sent on his first foreign assignment – Muammar Gaddafi’s Libya, where he quickly made his name.
“He quickly displayed a knack for being in the right place at the right time,” reports Reuters’ site The Wider Image. “When Gaddafi visited a hotel where journalists had been cooped up for several days, a scrum of reporters crowded around the Libyan leader to get pictures and soundbites.
‘I somehow managed to sneak next to him and get some wide-angle shots,’ Behrakis wrote. ‘The next day my picture was all over the front pages of papers around the world.’”