The Covid-19 pandemic hit the international photography magazine hard. Here, Vroons discusses GUP’s journey thus far, a new redesign, and how you can get involved
“Choices we make as humans about our bodies, choices we make about the technology we develop, choices we make ‘for’ the environment, are all intertwined. We can’t look into problems from just a single perspective.”
Growing up in Australia, Kumar was dismissive of her Indian heritage. ‘Ghar’ and ‘Nagar’ – meaning ‘home’ and ‘town’ in Hindi – are part of her ongoing efforts to re-discover her “Indianness”, as she puts it
Laub has been photographing her family for the last 20 years. The resulting photobook is by turns lavish, hilarious, and moving
Consumerism and imperialism have long been explored and visualised in photography. Indeed, images themselves are a commodity that perpetuate the cycle. But with the dawn of the internet and new technologies, the heightened awareness of the climate crisis, intersectional thought and need for decolonisation, photography’s relationship to capitalism is being reexamined.
Using tights crops of her facial expressions during labour, a portrait of the intense experience is created
The photographer’s new book, There Is Nothing Under The Sun, uses image and text to critique a silent system that we cannot escape
After a year-long postponement due to the pandemic, we revisit our interview with the photographers ahead of the event opening this weekend, which now includes new work from Marie Smith
In A Gadda Da England freely mixes time and place, finding connections between events and protests through the years
Headline shows include the work of Asa Johannesson, the Archive of Public Protests and Sofia Karim