In Surat, Atong Atem restages her family album, celebrating the visual language of family photographs, and photography as an extension of our traditions
Shooting for clients like Vogue, Burberry and COS, as well as for himself, Savaci’s work is informed by desire to create a sense of order from his looser, more organic early years
The eighth edition of the festival is directed by Koyo Kouoh, who has created a space to debate how the ubiquity of imagery is changing the way we think and behave
Roadside stall on the way to Viana, 2007 from the series Terreno Ocupado © Jo…
15 April 2022
The Covid-19 pandemic hit the international photography magazine hard. Here, Vroons discusses GUP’s journey thus far, a new redesign, and how you can get involved
“Choices we make as humans about our bodies, choices we make about the technology we develop, choices we make ‘for’ the environment, are all intertwined. We can’t look into problems from just a single perspective.”
Growing up in Australia, Kumar was dismissive of her Indian heritage. ‘Ghar’ and ‘Nagar’ – meaning ‘home’ and ‘town’ in Hindi – are part of her ongoing efforts to re-discover her “Indianness”, as she puts it
Laub has been photographing her family for the last 20 years. The resulting photobook is by turns lavish, hilarious, and moving
Consumerism and imperialism have long been explored and visualised in photography. Indeed, images themselves are a commodity that perpetuate the cycle. But with the dawn of the internet and new technologies, the heightened awareness of the climate crisis, intersectional thought and need for decolonisation, photography’s relationship to capitalism is being reexamined.
Using tights crops of her facial expressions during labour, a portrait of the intense experience is created