1854 Fast Track seeks out the industry’s brightest unsigned talent to promote them in the commercial sphere. From visualising invisible illnesses to capturing vanishing landscapes, we unpack the practices of three more of this year’s winners
“Whether you’ve got six minutes or six days, it’s about lending yourself to those moments so that you can make people feel comfortable,” says the British-Nigerian photographer, recently commissioned by Leica and 1854 to capture ‘the everyday’
1854 FastTrack seeks out the industry’s brightest unsigned talent to promote them in the commercial sphere. From celebrating queer African identity to documenting the punters of of pigeon racing, we unpack the practices of three more of this year’s winners
Mendez & Kaplan to investigate the impact of climate change in Colombia in a new collaboration between WaterAid and 1854
In a new commission for WaterAid and 1854/BJP, Calvin Chow turns his lens to Cambodia’s life force, the Tonlé Sap lake
A new commission by WaterAid and 1854 will see Ngadi Smart explore Freetown’s complex water supply problems and what it’s young people are doing about it.
“For me, it’s about allowing black men to show a vulnerability that they’re not normally allowed to share”
In collaboration with 1854, Malala Fund is commissioning three new works that celebrate the determination and agency of remarkable girls facing challenging circumstances.
For MPB’s Shoot the Sequel: Then & Now America commission in collaboration with 1854, Garrett Grove documents a state fraught with tensions.
Russian-American photographer Anastasia Samoylova was selected earlier this year to produce a new body of work for MPB in collaboration with 1854 for the Shoot the Sequel: Then & Now America campaign. The resulting images form the final part of her triptych on Florida, providing a sobering look at the state.