Rapidly expanding across the city’s historic venues since its 2018 inception, 212 Photography Istanbul puts the focus on discovery with an enticing mix of local and international artists

Rapidly expanding across the city’s historic venues since its 2018 inception, 212 Photography Istanbul puts the focus on discovery with an enticing mix of local and international artists
Winner of the Star Photobook Dummy Award 2024, Our Hidden Room portrays a complex yet loving father-son relationship
With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories
The third edition of the festival in Doha, Qatar is anchored by As I Lay Between Two Seas, which depicts identity as a fluid process
Through the lens of 41 photographers, founder Romaisa Baddar’s new book offers an intimate, nuanced glimpse into domestic spaces throughout the region
In a one-off event at the Stephen Lawrence Gallery, Slidefest brings together five photographers exploring overlooked aspects of Palestinian life
Print sales allow photographers to show solidarity and keep Gaza’s humanitarian crisis in people’s minds while also encouraging donations to the relevant charities
Safar Journal highlights arts and culture stories from across the Middle East and North Africa region. Here, the editorial team reflect on their recent projects, ethos, and photo selection process
“This image documents a transcendental fact in the life of the person portrayed: Amadou had just been rescued from the sea by a European vessel,” says Dezfuli. “Apparently his dream is fulfilled. However, fear, mistrust and uncertainty are present, as well as determination and strength.” For his series, Passengers, photographer Cesar Dezfuli took a sequence of 118 photographs in 120 minutes as a boat load of refugees were rescued just off the coast of Libya. These people had journeyed from different countries looking for a better future in Europe.
“The exhibition just becomes this transition point. There will be new artwork created by the exhibition. I think that’s exciting: it means it becomes alive. These often tragic stories will continue living in other forms, whether through painting or through music, so it’s about making the exhibition a place of life and a celebration of that life,” says Giles Duley, the photographer who has spent months travelling Europe and the Middle East to document the refugee crisis with UNHCR. Taking images from his photobook, I Can Only Tell You What I See, the display will feature artists in residence, a soundscape from Massive Attack and will host an evening supper so as visitors can sit and discuss the work and the wider problems surrounding the refugee crisis.