Diane Smyth

Diane Smyth is the editor of BJP, returning for a second stint on staff in 2023, after 15 years on the team until 2019. She also edits the Photoworks Annual, and has written for The Guardian, FT Weekend Magazine, Aperture, FOAM, and Apollo, plus catalogues and monographs. Diane lectures in photography history and theory at the London College of Communications, and has curated exhibitions for The Photographers Gallery and Lianzhou Foto Festival. Follow her on instagram @dismy

Susan Meiselas’ A Room of Their Own

Multistory and Susan Meiselas have launched a print sale fundraising for The Haven — a shelter for women and children facing domestic abuse in Sandwell. We revisit an interview with Meiselas discussing the work, created in collaboration with the shelter and the individuals it serves

17 June 2020
12

Tim Walker: Shoot for the Moon

In the 25 years since his graduation, Tim Walker has become one of the most singular photographers of his generation. Diane Smyth finds him in reflective mood ahead of a new book and exhibition at the V&A

12 September 2019

Q&A: Luca Desienna on shooting My Dearest Javanese Concubine

Born in Italy, Luca Desienna has been a freelance photographer since 1998. One of the co-founders of Gomma Books in 2004, he has produced four Gomma magazines plus two publications devoted to black-and-white photography, MONO volumes I and II, working with image-makers such as Roger Ballen, Antoine D’Agata, Trent Parke, Daido Moriyama, and Anders Petersen. Petersen has described Desienna’s personal project My Dearest Javanese Concubine as “a story full of vitamins and warm energy”, and the series was shown at the official selection of the 2012 Arles Voies Off. My Dearest Javanese Concubine is now being made into a book by Gomma Books in collaboration with VOID and BlowUp Press, available for pre-order now and due for publication in May.

15 July 2019

Miami Beach by Barry Lewis

“My tropical adventure was started by a friend, the photographer Mary Ellen Mark, who in 1988, enthused to me about Miami Beach, ‘You are made for each other!’” says Barry Lewis. “That summer I went with my family for a brief holiday, and fell in love with this exotic time warp. I met up with several photographers and by the end of the trip had a share in a fading Art Deco apartment on the beach.”

So began an ongoing love affair for Lewis, who ended up documenting South Beach for the next seven years, using Miami as a base for his US work and a venue for family winter escapes. It was, as he points out, a city on the up, just starting to revive after a couple of decades in the doldrums.

26 April 2019