Discover the winning images, ranging from a vibrant portrait of a Californian salvage punk to a defiant depiction of a Romanian grandmother

Discover the winning images, ranging from a vibrant portrait of a Californian salvage punk to a defiant depiction of a Romanian grandmother
Entries reflect defiance in times of division as artists capture the issues that draw us together
In Vote No.2, the former UK House of Commons photographer turns to ‘saccharine’ Irish local election posters. After a while, they all start to look strangely similar.
“At its heart, this exhibition is a story of family,” says Wiles. “Photography is not just a thing that is done by ‘photographers’. These pictures are part of their story.”
Enlisting volunteers to act out fictional scenarios in Seoul, Lim’s latest book comments on the media’s role in perpetuating fears of an imminent disaster
Employing an AI robot and a tiny freshwater animal as her subjects, Tammi investigates the liminal space between life and death
“Plastic is a generic and ubiquitous material that may end up choking the planet, and in turn strangle us”
How can art express movement in the human figure? And how does it convey emotion and strain through depictions of the body? A summer exhibition at Tate Liverpool will try to answer those questions by pairing work by influential 20th century American photographer, Francesca Woodman with drawings by Austrian expressionist Egon Schiele. Life in Motion: Egon Schiele/Francesca Woodman, which opens on 24th May, will investigate how Woodman’s photographs depict both physical movement and what she referred to as “the body’s inner force”. It will also highlight the relationship between the two artists’ work, and how Woodman’s images of the body from the late 1970s illuminate Schiele’s drawings – which were made more than fifty years before.