SIX.TWO Editions’ print sale features more than 200 photographers, while Pictures for Purpose sees 30 artists contribute works. Read more about three key fundraisers below
“At its heart, this exhibition is a story of family,” says Wiles. “Photography is not just a thing that is done by ‘photographers’. These pictures are part of their story.”
Posing as a Kurdish man complete with a Syrian passport, in 2016, Jonkler travelled through the deserts of Syria to the camps of Calais, documenting the plight of refugees. Here, Jonkler reflects on his work, and the war that spawned the crisis he documented
Back in 2011, Mohammed Badra was studying architecture at Damascus University, a 20-minute drive from his native Douma. Then war broke out in Syria and he was forced to abandon his studies, initially becoming a first-responder for the Syrian Red Crescent, and then starting to take photographs of the conflict. “Taking a picture is documenting history,” he says simply. “I am an architecture student, I was pushed into photography.”
In 2015 Badra joined EPA [European Pressphoto Agency], working under Oliver Weiken and starting to focus in on images of children. Children are “the biggest losers in this war” he says, and there are many caught up in the crossfire, with the UN estimating that some 500,000 are currently living in 16 besieged areas in Syria.
And it’s the child that’s the really shocking factor in Badra’s photograph from Eastern Ghouta, which has been nominated for the World Press Photo of the Year. Showing victims of a suspected gas attack in hospital on 25 February 2018, the image includes a small boy hooked up to breathing apparatus.
A shortlist of six images have been announced for this year’s World Press Photo of the Year, and three photographers shortlisted for a new award that celebrates visual storytelling – the World Press Story of the Year.
The six images shortlisted for World Press Photo of the Year are: Victims of an Alleged Gas Attack Receive Treatment in Eastern Ghouta by Mohammed Badra (Syria); Almajiri Boy by Marco Gualazzini (Italy); Being Pregnant After FARC Child-Bearing Ban by Catalina Martin-Chico (France/Spain); Covering the Disappearance of Jamal Khashoggi by Chris McGrath (Australia); Crying Girl on the Border by John Moore (United States); and Akashinga – the Brave Ones by Brent Stirton (South Africa).
The three nominees for the World Press Story of the Year are Marco Gualazzini (Italy), Pieter Ten Hoopen (Netherlands/Sweden), and Lorenzo Tugnoli (Italy) – making Gualazzini the first photographer to have been nominated for both the World Press Photo of the Year and the World Press Story of the Year.
Daniel Castro Garcia wins the $35,000 W. Eugene Smith grant to continue his work on the European migrant crisis – read more about the work in BJP’s interview with him, first featured in our September 2016 issue. l. “The fact that my mum and dad are foreign, it’s played a massive role in my life. When those two boats capsized, the way that was written about, the adjectives used, and the type of photographs – on a personal level, that resonated. I know the kind of things my parents went through when they moved to the UK, and I know they’ve contributed really positively to British society. It felt increasingly uncomfortable, the way they were representing people who effectively did what my parents did, for the same reasons – poverty. Some of the things that were written were just unbelievable bullshit about people that are just the same as any of us. What an individualistic, separatist, regressive mentality.”
“I meet people with more empathy and more care towards one another in war situations or in conflict around the world than I have ever experienced in Europe. People want to share the little they have with me because I have talked to them and shown an interest in them,” says Jan Grarup. His work has taken him to the sites of the worst conflicts – from obvious examples such as Iraq and Iran, to forgotten areas like the Central African Republic. Each place he visits, he stays to learn about the culture and customs of the people before taking their photographs. In these places of despair and destruction, Grarup often finds hope and resilience. But the Western world needs to be more active and share the responsibility to help these regions return to a peaceful existence.
“With this exhibition, I will reveal something different to what Western and British society has seen…
The title of World Press Photo of the Year goes to Warren Richardson for his…