The French-born artist unmakes images, intervening in their materiality to expose racist, sexist and capitalist tropes and challenge dominant Western aesthetics – all while questioning her own gaze
The French-born artist unmakes images, intervening in their materiality to expose racist, sexist and capitalist tropes and challenge dominant Western aesthetics – all while questioning her own gaze
Walking Along the Parramatta River resists romantic depictions of an industrialised area whilst depicting the diversity of life along its banks
As Paris Photo returns for its 28th edition, artistic director Anna Planas explains how the photofair is taking an expanded approach
In The Binding Tide, the artist shifts the focus away from the military manufacturing economies of the area, instead shining a light on its local community and landscapes
Zoning in on a small town in Normandy, ‘Non Fiction’ lends its characters a self-conscious ambiguity
Thirteen image-makers feature in Grafting, a special showcase for the Islington fair’s Photo50 section
Photography’s rules are made to be broken. Having become frustrated with the medium’s conventions, five artists discuss how sculpture, activism and X-rays keep photography alive in their work. Next up: Letha Wilson
Inside a converted tractor shed with a tin roof, overlooking the moors of West Yorkshire, Yan Wang Preston connects to nature and embraces her roots
Travelling to off-grid locations with her mother and daughter, Cromwell returns to the place where she grew up, creating a body of work that reflects both a political and personal reunion