The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney

The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them
From themes of mythologised memories and ancestral resistance to decolonial archives, this year’s edition of the world’s biggest photography festival centres global narratives
One degree removed from the media, the French photographer is making work questioning the power of images
Zoning in on a small town in Normandy, ‘Non Fiction’ lends its characters a self-conscious ambiguity
The One to Watch discusses her early influences, perceptions of the nude, and her transition from graphic designer to image-maker
Established in 2013, Kyotographie is now one of the biggest photofestivals in Asia. This spring it returns for its 12th edition with exhibitions themed around ‘Source’
Based in a former mining area in northern France, Centre régional de la photographie is honouring the past to bring photography to the present. Director Audrey Hoareau reveals the innovative ways the centre is reaching out to the local community and beyond
Set in the village of Prabert in France, Rousset’s images play on the eccentricities of the village and its people, transforming them lovingly into caricatures and tableaus