The Australian-born curator has been responsible for some of the most significant shows of the last 15 years. She talks fairs, mentors, and the problem with arts education
The curator spent over a decade at the Whitney Museum of American Art before joining the International Center of Photography earlier this year – here she discusses her career with BJP’s editor.
After 16 years at the helm of The Photographers Gallery in London, expanding its exhibition programme to be more diverse and inclusive, Brett Rogers steps down at the end of this year. Here, she reflects on her life and career.
Curator Mariama Attah explains how socially engaged curatorial practices can reshape the photographic world
The Parisian curator Quentin Bajac has spent the past two decades working in three of the world’s leading cultural destinations – starting out at the Musée d’Orsay, he moved to Centre Pompidou, and then the most coveted post of all, chief curator of photography at MoMA in New York. Here he shares his insights into photography and life with BJP editorial director Simon Bainbridge
“I am always trying to challenge myself and develop new ways of exhibiting work that defy the trap of the exhibition shuffle.”
Tate was famously slow to institutionalise photography, staging its first photography show (Cruel + Tender: The real in the 20th century photography) in 2003, and appointing its first photography curator, Simon Baker, in 2009. Now, hot on the heels of its acquisition of Martin Parr’s 12,000-strong photobook collection, its now made another major commitment to photography, appointing Kate Bush in the new post of Adjunct Curator of Photography. Bush, who was previously Head of Photography at the Science Museum Group, and prior to that Head of Art Galleries at the Barbican Centre in London, starts at Tate Britain in October.