Reading Time: < 1 minute With multiple projects displayed, Chabrowski creates a borderline space of video and sculpture
Reading Time: 4 minutes For decades, Berlin has been a magnet for artists and creatives, and today boasts a vibrant photography scene bursting with galleries, museums, exhibitions, project spaces and studios. Berlin-based journalist Alice Finney picks out some of the highlights
Reading Time: 7 minutes We visit Studio Stauss in Berlin, “a laboratory for documentary photography”
Reading Time: 4 minutes No Photos on the Dancefloor!, a new exhibition opening at C/O Berlin, charts the evolution of Berlin club culture from the fall of the Berlin Wall to the present day
Reading Time: 3 minutes What happens when you put a white flower in a vase of coloured water? It’s an experiment some of us might fondly remember from our childhood, magically transforming a bunch of flowers with a dash of food colouring.
But the results are a little more frightening in a similar experiment by French artist Cornelius de Bill Baboul, as his flowers suck the colour out of sugary energy drinks. “I think they look a little bit like dancers,” he says. “Like kids on ecstasy in a techno club celebrating the end of the world”.
Reading Time: 3 minutes The director of the respected bookshop in Paris’ Le Bal gallery picks out her favourite photography and projects, including Joanna Piotrowska’s Frantic
Reading Time: 4 minutes “It was a moment where I could step out of my ordinary and rather boring existence, and shape it into something different,” says Federico Clavarino, who’s photographs from his foundational years at Blank Paper in Madrid are now published as a book
Reading Time: 7 minutes “This book….does not – and this I must emphasise – document life in the GDR [German Democratic Republic]. Rather, it shows how I saw this country and the people who lived here,” writes Roger Melis in the introduction to his book In a Silent Country, now published for the first time in an English edition.
“When selecting the photographs for this volume, I placed no demands on myself, and certainly did not try to comprehensively depict working and living conditions in the GDR,” he later adds. “…they focus on the everyday, and not on the spectacular. In my photographs, I only rarely attempted to capture a decisive, unrepeatable moment. The moments I always searched for were the ones in which whatever was special, unusual or temporary about people and things had dropped away, revealing the core of their being, their essence.”
Reading Time: 8 minutes When Robin Hammond started work on his project Where Love Is Illegal, he changed his approach to photography. Shooting members of the LGBTI [lesbian, gay, bisexual, transgender and intersex] community who have faced persecution and punishment in countries in which such prejudice is enshrined in law, he relinquished much of the creative control to the sitters.
Up until then, he’d worked in the tradition of great photojournalists, committing extended periods of time to documenting stories as they unfolded in front of his lens. His acclaimed project Condemned, for example, a study of the treatment of the mentally ill in Africa, was shot over 10 years. But during his numerous trips to the continent, he had become acutely aware of the deep-rooted homophobia there.
“Wherever I went, I was surprised by how extreme the views on homosexuality were,” he says.
Reading Time: 5 minutes “Photographers have a responsibility to tell these stories,” says Esa Ylijaasko of his project, November…