Carrie Mae Weems, Dana Scruggs, Lola Flash and Mark Sealy invite us to look and consider — to acknowledge and act upon injustices that pervade the past and the present. In light of recent events, we return to interviews with them from our archive

Carrie Mae Weems, Dana Scruggs, Lola Flash and Mark Sealy invite us to look and consider — to acknowledge and act upon injustices that pervade the past and the present. In light of recent events, we return to interviews with them from our archive
A new digital platform by Finbarr O’Reilly and Fondation Carmignac seeks to amplify local voices reporting during the pandemic
Mark Sealy guides us through the work of eight artists from an exhibition he originally curated for FotoFest 2020, examining the relationships between contemporary African life, the diaspora, and global histories of photography and colonialism
In a storytelling climate that continues to amplify homogenous voices, Dana Scruggs unpacks the white gaze, institutional racism and the need for alternative narratives
Shot in Jamaica and London, Ijewere’s collaboration with hair stylist Jawara is the product of a journey of personal discovery
Antwaun Sargent’s first book celebrates a new forefront of genre-bending photographers “using their cameras to create contemporary portrayals of black life”
In his latest project and soon-to-be book, George Georgiou finds anonymity and intimacy along the roadside of American parades
“I picked up a camera because it was my choice of weapon against what I hated most about the universe: racism, intolerance and poverty” – Gordon Parks
Since the dawn of the medium, a photographer’s control over their subject – what to show and how to frame it – has rendered photography a partner of colonialism. Authentic experiences of Black and non-white people have been erased in lieu of objectification and fetishisation by the white gaze. But every day, new artists are taking back power.
From Nadine Ijewere’s vibrant celebration of Jamaican heritage to Zanele Muholi’s defiant representations of Black queerness in South Africa, this collection champions radical and nuanced reclamations of space and autonomy, both within the art world and beyond.