Julie Cook, head of art at Mother London, gives an insight into working at a global creative agency, and advice for emerging photographers
When Covid-19 hit, the prestigious portrait prize decided to migrate online. Here, the National Portrait Gallery’s senior curator explains why, and how, they did it
“I’m interested in artists who are working with archival material, but not accepting the archive; resisting the authority of the archive, and pushing, and going deeper”
East Photographic’s Sue Ireland shares advice on developing portfolios, navigating negotiations and “trusting your gut”
Ledger-Lomas is head of production at BBH London, a leading global advertising agency with past and present clients including Audi, Tesco, Levi’s and British Airways
“It’s really important for people to understand that a career path is not a steady and unbroken positive trajectory,” says Attah, curator at Liverpool’s Open Eye Gallery
Jess Gough works across editorial, events, and awards at MACK. Here, she gives an insight into the process behind publishing photobooks — from timelines to editing and distribution — and managing the First Book Award
In this second instalment of Industry Insights, the Brand Visual Director of Vogue Italia reflects on the challenges posed by moving a festival from the physical space to virtual, and how she and her colleague, Francesca Marani, overcame them.
In the first two chapters of the Polish photographer’s ‘plastic history’, she challenges the photography industry to consider more sustainable practices
As the community continues to battle for the survival of ancient archeological lands, their beauty is captured in an intimate, black and white project, After Eden
