From getting signed, to building networks and negotiating budgets, Ellie Burd (photo agent at Wyatt-Clarke & Jones) gives an in-depth insight into commercial representation
From physical books that transport us to different worlds, to the connections nurtured at book fairs and festivals, the founder of Self Publish, Be Happy unpacks the potential of the medium
Describing herself as a “hybrid creative”, the art director, writer, curator, and more discusses how she built a successful career as a freelancer
Julie Cook, head of art at Mother London, gives an insight into working at a global creative agency, and advice for emerging photographers
When Covid-19 hit, the prestigious portrait prize decided to migrate online. Here, the National Portrait Gallery’s senior curator explains why, and how, they did it
“I’m interested in artists who are working with archival material, but not accepting the archive; resisting the authority of the archive, and pushing, and going deeper”
East Photographic’s Sue Ireland shares advice on developing portfolios, navigating negotiations and “trusting your gut”
Ledger-Lomas is head of production at BBH London, a leading global advertising agency with past and present clients including Audi, Tesco, Levi’s and British Airways
“It’s really important for people to understand that a career path is not a steady and unbroken positive trajectory,” says Attah, curator at Liverpool’s Open Eye Gallery
Jess Gough works across editorial, events, and awards at MACK. Here, she gives an insight into the process behind publishing photobooks — from timelines to editing and distribution — and managing the First Book Award