Atwood has famously asserted that the amount of invention within the novel is almost nil. “It’s logical, logical. There is not a single detail in the book that does not have a corresponding reality, either in contemporary conditions or historical fact,” she said in an interview published in Vogue in January 1986. As she wrote the novel, the US was four years into the conservative presidency of Ronald Reagan: a man who had won the election on an anti-feminist agenda, and one that courted the electoral potential of the emergence and expansion of the conservative Christian Right, who like Reagan were committed to reversing women’s gains in the 60s and 70s, and denouncing homosexuality, abortion, and the Equal Rights Amendment of 1972. The book resonated with Ferrato then and for her, and many others, gained renewed significance in the Trump and post-Trump world. Holy is a “handmaid’s book” says the photographer, referring to the women’s rights protesters who donned the blood-red capes and white bonnets of the handmaids described in Atwood’s novel throughout Trump’s presidency, emerging en masse ahead of the confirmation of Kavanaugh. They remained an iconic reminder of women’s power and resistance throughout an administration in which the previously unthinkable no longer seemed so far-fetched.
Let us rewind to the siege on the Capitol. The moment in which Trump’s threat to democracy reverberated throughout the world. The next four years will see an administration that has actively committed to improving and protecting women’s rights – headed by a president who helped create the 1994 Violence Against Women Act – lead the country. But the image of Trump’s supporters storming the Capitol building is a warning of what could have been. “We’ve been at it for a long time. And we’re not done,” writes Dowling in Holy. “‘I want women to stand up for their rights and not be submissive to the patriarchy, the man, the priest, the president,” she continues, quoting Ferrato. “The father and the son and the – Holy shit! – we can’t even be in the fucking trinity! Where’s the mother? Women are Holy.” Ferrato’s Holy bears witness to this. It celebrates women in all their powerful complexity. But it is also a reminder that the fight for women’s rights, and the rights of other minority groups, is not over in the US and worldwide, where millions are persecuted and oppressed at the hands of their partners, their communities, and their country’s political regimes. As Dowling continues, “That bright spirit and erotic transgression will, Donna prays, lead another revolution into a future beyond the binary, one of intersectional wholeness. She doesn’t yet know what shape it will take, but she can see the shimmering of its wings.”
Helplines
If you have been affected by any of the topics discussed in this article or if you are experiencing domestic abuse, you can seek help and advice from the following organisations:
Domestic Abuse Helpline (in the UK). Freephone, 24-hour helpline: 0808 2000 247.
National Domestic Violence Hotline (in the US). Helpline: 1-800-799-SAFE (7233).
Hot Peach Pages. International abuse information in over 115 languages.