Living Trust employs the kind of manicured imagery associated with the ultra-wealthy, recasting it in a new light: as a symbol of the artificiality, self-censorship, and bias, inherent in how this group represent themselves. Eight chapters, loosely referencing aspects of the lives of W.A.S.Ps— white wealthy, Americans — divide the publication: Daughters; Still Life; College Preparatory Schools – San Francisco Bay Area, California; Sierra — Gymnastics Routine; Protestant Suite; The Prince Family, Holland, Michigan; Performance Fleece; and Modesty.
The photographs, which comprise the various sections, are meticulously researched; many are staged — populated by paid models and actors cast from LA’s infinite pools of ‘talent’. “You have this enormous apparatus available to you,” explains Buck, “and it became important to me, conceptually too, for the relationship to be transactional: I was hiring their expertise”. A series of young girls playing lacrosse — all white, many with long, braided hair — transition into a sequence of lurid still lives — spirals of tangerine peel on a blue background; fennels scattered across pages. Later, images of raw seafood — tiers of fish and bursts of octopi — progress into photographs of a moneyed, white American family. The list goes on.
An even darker strand of inquiry weaves through the work exploring the fact that in a world where the realms of public and private increasingly blend, enough money can act to enforce the division between them. “Privacy is a luxury; it can be expensive to get and maintain, but we know it’s out there,” writes the American poet Lucy Ives, in one of the two essays that punctuate the book. “One of the ways we know this is on account of the photographic images that we know we do not have.”
The section ‘The Prince Family, Holland, Michigan’ explores this. It comprises a series of images devoted to the current, and deeply unpopular, US Secretary of Education, Betsey DeVos, and her brother Erik Prince — the founder of the world’s most infamous private security company, Blackwater. “She is like a Thatcher-esque figure, from a billionaire family, and her brother is like a war criminal,” says Ellison, “the family has contributed insane amounts of money to shadowing Republican politics”. In 2017, during her confirmation hearing, DeVos, who also positions herself as a billionaire philanthropist, reluctantly revealed that collectively, over the years, her family had likely contributed around $200 million to the Republican party. During her time in office, DeVos has worked to dismantle the public school system, her brother, meanwhile, is implicated in the Nisour Square massacre of 2007, during which employees of Blackwater killed 17 Iraqi civilians and injured 20 while escorting a US embassy convoy.