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Addressing a range of issues that span deforestation, drug wars, and daily life, Tommaso Protti’s investigation into the social fabric of the Brazillian Amazon wins this year’s Carmignac Photojournalism Award

The Amazon dominated the front page of almost every news outlet last month after devastating fires raged across the world’s largest tropical rainforest. Today, thousands of fires are still burning in Brazil, and deforestation is at its highest level in more than a decade. In a time when global media attention has been turned to this vast reach of land, a new photography project, actuated by the 10th Carmignac Photojournalism Award, reveals the complex social fabric of the Brazillian Amazon, documenting issues that span deforestation, the drug trade, and daily life in its urban centres.

Tommaso Protti was announced as this year’s winner at Visa Pour L’Image, where his work was first showcased. Accompanied by British journalist Sam Cowie, from January to July 2019, Protti travelled thousands of miles across the Brazilian Amazon — from the northeastern region of Maranhão to the states of Pará, Amazonas, and down to Rondônia in the west. The resulting project reveals the region’s pressing social and humanitarian crises, and their connection with the ongoing destruction of the forest.

Grajaú, Brazil - A deforested area in the southern Maranhao state seen from the helicopter of IBAMA, Brazil's national environmental agency. Maranhão is one of the worst affected by forest fires and illegal logging that has lost 75 per cent of it's Amazon forest cover. The Amazon Rainforest is losing a football pitch of forest cover every minute. Scientists say the Amazon is reaching a tipping point: if deforestation continues upward, the forest may never recover. © Tommaso Protti.

Based in São Paulo, the Italian photographer began his career in photojournalism by chance. After completing a degree in Political Science, and a thesis on the geopolitics of water in the Middle East, Protti travelled to Turkey to bear witness to the situation himself, and took along a camera with him. When he returned to Rome, he met photojournalist Francesco Zizola and became his assistant, and since then, has devoted himself to his own long-term projects, alongside assignments for major titles including The New York Times, National Geographic and the Guardian. 

The photojournalist first visited the Amazon in 2014on assignment to cover the environmental impacts of the Belo Monte Dam — a controversial project that threatened to displace 20,000 people and flood large parts of the rainforest’s indigenous land.

Protti arrived with preconceptions, but what he discovered was far from the vast jungle landscapes and indigenous tribal communities that he had imagined. Built on the Xingu River, the Belo Monte Dam sits on the outskirts of Altamira, a once-quiet Amazonian town. Due to urban development and displacement from the construction of the dam, the city’s population has tripled, and has become one of Brazil’s most violent cities.

Araribóia, Brazil: A member of the Guajajara forest guard in a moment of of sad silence at the sight of a toppled tree cut down by suspected illegal loggers on the Araribóia indigenous reserve in Maranhão state. With deep cuts to Brazil’s environmental and indigenous protection bodies in recent years, tribespeople across the Amazon are increasingly forming vigilante groups to protect their lands against unscrupulous farmers, loggers and land grabbers. But it’s dangerous work. Indigenous activists who stand up to powerful interests in Brazil’s Amazon states are routinely threatened, persecuted and murdered. © Tommaso Protti.

“It was an Amazon that I didn’t know about. I found a very different social fabric than what I had in mind,” says Protti, who has been reporting from urban regions of the rainforest for the past five years. Together with journalist and “adventure companion” Sam Cowie, Protti has covered issues such as the growing number of drug gangs, the rights of indigenous communities, and the effects of deforestation.

“At some point, we realised that something big was at stake,” says Protti. “We felt the need to convey our experience and the variety of topics in one long-term project that could offer a new vision of the Amazon.”

In late-2018, Protti was selected as the laureate of this year’s Carmignac Photojournalism Award. “The grant allowed me to think bigger, to reach more people and places I hadn’t before,” says the photographer, who travelled across the rainforest to create a multilayered reportage that will be revealed to the public in an exhibition at the Maison Européenne de la Photographie in Paris in December, along with a photobook that will include Cowie’s accompanying text.

Protti and Cowie have been working alongside one another for four years; it is a partnership that Protti speaks of fondly. He has found that a writer can pick up on nuances that a photographer may miss visually, and vice-versa. “It is a good way to understand the different layers in a story,” says Protti.

“The Amazon is a place like anywhere else. These are emblematic pictures. When we think about the preservation of the environment, maybe we should think about how we can make these Amazonian cities more sustainable”

Altamira, Brazil: These trees died with the opening of the Belo Monte Hydroelectric Dam in Altamira, Pará state, which flooded 400km2 of forest. At the time of its construction, the dam was decried by environmentalists and civil society groups. Today, the project remains mired in controversy with serious questions regarding its viability and accusations of corruption during the bidding process. © Tommaso Protti.
Kayapó Indigenous Land - Kayapo children play behind a waterfall in the Kubenkrãnken indigenous village, in southern Pará state. The Kayapo have only been in contact with non-indigenous society since the 1960s. Their land serves as a crucial barrier to deforestation advancing from the south. © Tommaso Protti.

The project focuses on the Brazillian Amazon, which covers 60 per cent of the whole rainforest. Through covering different regions and issues, Protti shows how the social, humanitarian and environmental crises overlap. For example, he documented the gold-mining industry — a sector that contributes to deforestation, pollution, and encroachment on indigenous lands — where workers live in isolation, spending all of their earnings on  hedonistic nights with prostitutes, alcohol, and drugs.

“It is all connected,” says Protti, explaining how since the dissolution of the FARC guerrillas in Colombia, the Amazon River has become an important route for drug trafficking, making these urban regions “some of the most violent places in the world”.

But, it is not all about tragedy. “The Amazon is a place like anywhere else,” says Protti, who also photographed the daily lives of normal people that live and work there. “For me, these are emblematic pictures, because when we start thinking about the preservation of the environment, maybe we should think about how we can make these Amazonian cities more sustainable,” he says.

Marigold Warner

Marigold Warner joined the British Journal Photography in April 2018, and currently holds the position of Deputy Commissioning Editor. This was preceded by a degree in English Literature and History of Art at the University of Leeds, followed by an MA in Magazine Journalism from City, University of London. Her work has been published by titles including the Telegraph Magazine, Disegno, and the Architects Journal.

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