Magnum Photographers Show Images of Refugees at Visa Pour L'Image

The exhibition, at Visa Pour L’Image Perpignan, is a collaboration between Magnum Photos and Canon, who will also be providing a free portfolio reviews for emerging photographers at the festival.

RUSSIA. Sleptzovsk, Ingushetia, Chechnya. 03/2002. Sleptzovsk Refugee camp. Between 200 and 400 000 Chechens fled to neighbouring Ingushetia since the 2nd Chechen war started in 1999. Chechens and Ingush where formerly in one Republic, their language is very similar. — RUSSIA. Sleptzovsk, Ingushetia, Chechnya. 03/2002. Sleptzovsk Refugee camp. Between 200 and 400 000 Chechens fled to neighbouring Ingushetia since the 2nd Chechen war started in 1999. Chechens and Ingush where formerly in one Republic, their language is very similar © Thomas Dworvak / Magnum Photos

ISRAEL. Haifa. 1949-50. Arriving immigrants. — ISRAEL. Haifa. 1949-50. Arriving immigrants © Robert Capa, courtesy International Center of Photography/Magnum Photos

Providing a historic context to the current migration crisis in Europe, Exile, will include images of civilians returning home following World War II by Robert Capa; Philip Jones Griffiths’ Vietnamese woman fleeing a US bomb attack; and John Vink’s documentation of the displaced in South Sudan.
Presenting coverage of conflicts ranging from the Six Day War, Iraq, Rwanda and the Arab Spring the exhibition also includes work by Abbas, Bruno Barbey, Robert Capa, Thomas Dworzak, Alex Majoli, Susan Meiselas, Paulo Pellegrin and Jerome Sessini amongst others.

VIETNAM. The battle for Saigon. Refugee from US Bombing. 1968 © Philip Jones Griffiths/Magnum Photos

Along the Turkey-Syria border. March, 2012. Syrian refugees arrive inside Turkish territory under the cover of night after being smuggled from in from Syria. — Along the Turkey-Syria border. March, 2012. Syrian refugees arrive inside Turkish territory under the cover of night after being smuggled from in from Syria © Moises Saman / Magnum Photos

Forgoing historical, chronological or geographical order, the exhibition aims to illustrate the sheer number of those uprooted, made homeless and transient, progressing towards an uncertain future.
Exile, in collaboration with Canon at Visa Pour L’Image Perpignan, France, will go on display 29 August – 4 September 2016. For more information see here.

Tom Seymour

Tom Seymour is an Associate Editor at The Art Newspaper and an Associate Lecturer at London College of Communication. His words have been published in The Guardian, The Observer, The New York Times, Financial Times, Wallpaper* and The Telegraph. He has won Writer of the Year and Specialist Writer of the year on three separate occassions at the PPA Awards for his work with The Royal Photographic Society.

Tom Seymour

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