Reading Time: 4 minutes The luxury fashion photographer and founding editor of Girls. Girls. Girls. Magazine considers how her signature aesthetic of sex and glamour fits into the wider conversation around women’s representation
Reading Time: 4 minutes Mentored by Henri Cartier-Bresson, the ‘Italian-born’ photographer will be remembered for his continual innovation across fashion and documentary photography
Reading Time: 4 minutes As British Vogue’s youngest ever cover photographer, Carter joins a crop of record-breaking Black artists at the forefront of the editorial sphere. She unpacks how she got noticed, her organic approach, and the power of community in driving change
Reading Time: 5 minutes As we approach one year since Covid-19 was declared a global pandemic, four commercial photographers reflect on the lessons they’ve learned, and how to continue growing professionally when work is sparse
Reading Time: 3 minutes ”The best thing I will bring with me from 2020 is knowing that there is power and beauty in being openly vulnerable,” says Chiara Bardelli Nonino, as she shares her highlights of 2020.
Reading Time: 3 minutes This week only, get signed or estate-stamped, museum-quality prints by Magnum and Vogue photographers for just $100 — with 50% of sales going to the National Association for the Advancement of Colored People (NAACP)
Reading Time: 4 minutes BJP’s annual Cool + Noteworthy issue is back, presenting the people, places and projects that have caught our eye over the past year.
Among this year’s noteworthies is the photographer behind our cover story, Tyler Mitchell, who became the first black cover photographer of American Vogue when he shot Beyoncé for the September 2018 issue. He tells the BJP about his new-found mission since returning home after living in London: “I realised I have a responsibility to be, specifically, a black American photographer and filmmaker.”
We also spotlight Kensuke Koike, a Japanese collagist who gives new life to old photo albums. Koike has attracted a loyal following on Instagram with his savvy cut-and-move videos, making his latest book one of the most anticipated on 2018. Feng Li is another newcomer who has made waves in fashion photography over the past year. This issue we feature Li’s playful fashion shoot in his native Chengdu, a creative city on the rise in China.
Reading Time: 9 minutes Diversity has never been hotter in the fashion industry. This year, more non-white, plus-sized, and transgender models have walked the runway than ever before, and a record number of black women have appeared on the covers of glossies worldwide. Alessia Glaviano, senior picture editor at Vogue Italia and director of the Photo Vogue Festival thinks we owe it to the internet. “I believe that nothing would have happened, or not this fast, in terms of inclusivity, if it wasn’t for social media,” she says. “It’s a progressive platform for talking about race, identity, sexuality, and disability.”
But diversity isn’t just a trend, it’s a reality. Years before #diversity began to take off, forward-thinking publications such as Vogue Italia were already poking holes in the industry’s representation problem, with initiatives such as the July 2008 “all black” issue. Vogue Italia is known for being adventurous, for setting a standard for cutting-edge fashion photography. Over the years has given artistic freedom to commissioned photographers such as Steve Meisel, Ellen von Unwerth and Miles Aldridge, who have shot stories unlikely to be seen elsewhere, engaging with themes such as plastic surgery and domestic violence.
“It’s been in our DNA since the beginning,” says Glaviano. “We’ve always been really engaged and committed to this part of fashion that can be very strong and influential.
“I’ve never believed in boundaries and labelling things,” she adds. “No one cares that Michelangelo was commissioned to create the Sistine Chapel. What they care about is the final result.”
Reading Time: 4 minutes Born in London’s prosperous Hampstead in 1904, Cecil Beaton went to school with Evelyn Waugh…
Reading Time: 4 minutes “There were things happening in black America that lend themselves to the conversation in Italy in a way that perhaps people never would have imagined,” says Theaster Gates, a social practice artist and curator of a new exhibition,The Black Image Corporation, dedicated to exploring the legacy of the Johnson Publishing Company archive and its two acclaimed magazines, Ebony and Jet.
Presented at the Fondazione Prada from 20 September to 14 January, the exhibition gathers photographs from the company’s extensive archive of more than four million images, focusing primarily on the work of two photographers – Moneta Sleet Jr and Isaac Sutton. “When the Prada Foundation invites you to do a project, you know there’s already this big and ambitious living legacy; and so it felt really amazing to then put the Johnson Publishing Company in the context of this other fashion family,” explains Gates.