Reading Time: 3 minutes Repina and Moral’s ongoing series aims to create a celebratory platform to champion intersex identity
Tag: Portrait
Reading Time: < 1 minute “For individuals who have had their lives changed beyond recognition, the studio acts as an integral part of their new identity,” says Foggitt
Reading Time: 3 minutes Duquesne’s first photobook is a sensual and comical exploration of performed acts of masculinity
Reading Time: 5 minutes In his latest exhibition, Fader presents Best Lives — portraits made by and for the queer community — alongside a powerful digital installation that maps LGBTQ hate crimes in America
Reading Time: 3 minutes One of the shortlisted photographers for this year’s competition at Festival de Hyères, a seemingly tropical garden in France is the backdrop to Clémence Elman’s studies
Reading Time: 6 minutes In his latest project and soon-to-be book, George Georgiou finds anonymity and intimacy along the roadside of American parades
Reading Time: 3 minutes After winning Portrait of Britain in 2018, Lang got back in contact with Roxy – the subject of his winning portrait – and created a new series
Reading Time: 5 minutes When photographer Jess T. Dugan was 13, she started to question her identity. Over the…
Reading Time: 4 minutes Britain, for all its charms, can be dominated by grey skies and gloomy headlines. So…
Reading Time: 8 minutes When Derek Bishton, John Reardon, and Brian Homer set up a photography and design agency in the late 1970s in Handsworth, a multicultural, inner-city district of Birmingham, they were viewed with suspicion. “I lived in Handsworth and walked to work with my camera, and I felt people were looking at me as if to say ’Who is this white guy, is he working for the police?’” says Bishton. “As I started to take photographs I was aware of this problem.”
Their agency, Sidelines, had been set up to work with community groups on issues such as social justice housing, unemployment and immigration though, so the photographers were keen to win the locals’ trust. Discussing it in their office, a converted terraced house on a busy shopping street in Handsworth, Bishton happened to find a photograph in Camerawork Magazine, showing a Ukranian woman who had photographed herself in a portrait studio set up by American photographer David Attie. It was, he realised, the perfect solution – and one which their office was seemingly built for.