Tag: nan goldin

The NPG “not to proceed” with a £1m Sackler Trust donation

Reading Time: 4 minutes London’s National Portrait Gallery is no longer taking a £1m gift from the Sackler Trust, amid growing controversy over the trust’s links to Purdue Pharma – makers of the OyxContin prescription painkiller which has been linked to the opioid crisis.

The £1m gift was to support the gallery’s Inspiring People initiative, a £35.5m project which would see the biggest-ever building development of the gallery since it opened in 1896. The NPG has stated that it has jointly agreed not to proceed with the gift with the Sackler Trust, and has issued two statements.

“The Sackler Trust has supported institutions playing crucial roles in health, education, science and the arts for almost half a century and we were pleased to have the opportunity to offer a new gift to support the National Portrait Gallery,” reads the first statement, from a Sackler Trust spokesperson. “The giving philosophy of the family has always been to actively support institutions while never getting in the way of their mission. 

20 March 2019

A hundred photographic heroines

Reading Time: 4 minutes What do Sophie Calle, Rineke Dijkstra, Susan Meiselas, and Hannah Starkey all have in common? They’re all on the list of 100 contemporary women photographers picked out by the UK’s Royal Photographic Society, after an open call for nominations. Over 1300 photographers were recommended to the organisation by the general public, which was slimmed down by a judging panel headed up by photographer Rut Blees Luxemburg.

The final list includes well-known names but also less recognised image-makers such as Native American artist Wendy Red Star, Moscow-based photographer Oksana Yushko, and Paola Paredes from Ecuador. Each Heroine will be awarded a Margaret Harper medal, named after the first female president of The Royal Photographic Society, and the first female professor of photography in the UK. An exhibition and accompanying publication will follow, all part of a bid to highlight women working in what is still a male-dominated industry.

“Although it was a truly challenging exercise having to consider 1300 women, being a part of the jury for Hundred Heroines was ultimately an incredibly stimulating and inspirational process,” says Luxemburg. “This final list reflects both the global expanse of female practice and the intergenerational input into contemporary photography. It reflects the wide range of methodologies, practices and diverse approaches of women working with the photographic medium. This is a moment of change and this list of heroines pays heed to it.”

14 December 2018

How We See: Photobooks by Women

Reading Time: 5 minutes History confirms it – the first photobook was made by a woman, with British photographer Anna Atkins publishing Photographs of British Algae: Cyanotype Impressions in 1843, a year before Henry Fox Talbot’s The Pencil of Nature. Still, many historians, including Allan Porter in his introduction to The Photobook: A History, dismiss Atkins’ work as “photographic prints” rather than photography.

“Unfortunately, this is far too often emblematic of the uphill battle women photobook-makers still encounter when we talk about their history,” says Russet Lederman, co-founder of 10×10 Photobooks. “As we conducted research for the How We See project, we discovered that although women photographers produce relatively equal numbers of photobooks to men, their representation in the higher-profile sectors was, and still is, disappointing.”

26 September 2018