Through two graduate projects, Margarita Galandina reinterprets her Siberian heritage – blurring the line between the staged and the candid

Through two graduate projects, Margarita Galandina reinterprets her Siberian heritage – blurring the line between the staged and the candid
Unframing Colonialism is an eye-opening exhibition curated by Damarice Amao, taking a critical look at how photography furthered the colonial project in France
“This is a project about all the things that make me depressed and anxious – it’s about racism and identity, the environment and climate change, religion and family, history and culture”
The exhibition, opening tomorrow, brings together the work of 12 artists who consider the complexities of human relationships with the land and climate justice
“I wanted to direct my photography towards questioning, towards an alternative narrative to the one imposed by the state in the face of terror”
The photographer’s new book, Good Hope, draws on archival imagery and text to build a layered and fragmented narrative
In her new book, titled White Shoes, Faustine photographs herself at New York locations tied to the history of the slave trade, including former African burial grounds
The group exhibition offers an alternative perspective on the climate crisis by emphasising the unheard voices of the southern hemisphere
“Our current notions of gender, language, spirituality, religion, time – all of it – is a white construction.”