Gia Goodrich’s practice is built around authentic representation — when brands want to do better, they come knocking. Here, she discusses how to market yourself, and make an impact

Gia Goodrich’s practice is built around authentic representation — when brands want to do better, they come knocking. Here, she discusses how to market yourself, and make an impact
Part gallery, part community space, HOME aims to provide a supportive environment for all
“I would like for audiences to engage with the work, and look at how racism operates in their communities”
Guided by the surrealist writings of Aimé Césaire, Halpern attempts to create a visual ode to the Caribbean archipelago, compelled by the dissonance between its natural beauty and terrible history, and struggling with his position as a white outsider
Johannesburg was the late photographer’s home for 50 years. Now, an exhibition at Goodman Gallery, London, charts his nuanced documentation of the city during apartheid and the post-apartheid period
“We look at the statistics and the hospitals, focusing on the people who have contracted the illness, and we forget about how the situation impacts the community”
As her solo exhibition, Painting with Light, reflects on the richness of Smith’s oeuvre, the artist discusses her practice and the irony of looking back now
Agyepong discusses her most recent series Wish You Were Here — what drove it, what it signifies, and what it means today
“I picked up a camera because it was my choice of weapon against what I hated most about the universe: racism, intolerance and poverty” – Gordon Parks
Since the dawn of the medium, a photographer’s control over their subject – what to show and how to frame it – has rendered photography a partner of colonialism. Authentic experiences of Black and non-white people have been erased in lieu of objectification and fetishisation by the white gaze. But every day, new artists are taking back power.
From Nadine Ijewere’s vibrant celebration of Jamaican heritage to Zanele Muholi’s defiant representations of Black queerness in South Africa, this collection champions radical and nuanced reclamations of space and autonomy, both within the art world and beyond.