Festivals

Ghana’s first photo festival opens 12-21 September

“We do not need to specifically just focus on changing stereotypes of what being African is through our visual storytelling; I think that’s an additional burden that other artists from other continents are not expected to subscribe to. I do think that through our visual storytelling, whatever theme we choose, and the quality of our work, we already do so much to challenge external perceptions of the African continent,” says Ngadi Smart, one of the image-makers whose work will feature in the exhibition Foreseen: New Narratives from the African Photojournalism Database.

It’s just one of the shows in the forthcoming Nuku Photo Festival Ghana, the first event of its kind in the country. Featuring exhibitions, a conference, a portfolio review, and networking events, Nuku Photo Festival Ghana aims to “create a space for artistic explorations and exchanges”, according to the festival founder Nii Obodai. “For this first edition, we have curated a diverse programme in cooperation with local and international partners that showcases the works of 50 both established and up-and-coming photographers and visual artists.”

12 September 2018

Arles is urged to include more work by women

Les Rencontres d’Arles is the most prestigious photo festival in the world – that’s beyond question. But according to a high-profile group of photographers, curators, and writers, there’s still more that it could do. They’ve got together to sign a public letter to festival director Sam Stourdzé, which urges him to include more exhibitions by women in the main programme at Arles, and which was published in the French newspaper Libération on 03 September.

The letter is signed by influential industry figures such as Iwona Blazwick, director of the Whitechapel Gallery; Victor Burgin, Professor Emeritus of History of Consciousness, University of California, Santa Cruz, and Emeritus Millard Chair of Fine Art at Goldsmiths College, University of London; collectors Claire and James Hyman; and Olivier Richon, Professor of Photography, Royal College of Art, London, as well as photographers and artists such as Clare Strand, Sunil Gupta, and Anna Fox.

10 September 2018

Looking to the future at Unseen Amsterdam

It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.

The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.

7 September 2018

Laura Morton wins the 2018 Canon Female Photojournalist Award

American photographer Laura Morton has won the 2018 Canon Female Photojournalist Award. The award gives her €8000 funding towards a new project, which will be exhibited at the 2019 Visa Pour l’Image festival.

Originally trained in Political Science and Journalism, Morton has previously shot projects on FARC guerrillas in Colombia, the segregation and oppression of Pashtun women in Pakistan, and military sexual assault survivors in the US, and her project on young tech entrepreneurs in San Francisco, Wild West Tech, was funded by the Magnum Foundation and published in BJP’s April 2016 relaunch issue. But she won the award with a pitch for a new project titled University Avenue, named after a road which runs through two very different districts of her home town, San Francisco.

3 September 2018

Documentary photography stars in the Distinctly show

Founded in 1997 the Pingyao International Photography Festival is China’s most prestigious photo festival, featuring images from more than 50 countries each year in indoor and outdoor venues across the UNESCO-listed ancient city. This year it includes a huge exhibition called Distinctly, which is curated by Open Eye Gallery’s Tracy Marshall and which will travel to Merseyside in 2019 as one of the main exhibitions of LOOK International Photo Biennial.

Featuring work by 12 documentary photographers – Martin Parr, Chris Killip, Daniel Meadows, John Myers, Markéta Luskačová, Tish Murtha, Ken Grant, Paul Seawright, Niall McDiarmid, Robert Darch, Elaine Constantine, and Kirsty MacKay – the exhibition “takes a unique approach to the depiction of Britain and its distinct landscapes, industries, social and economic changes, cultural traditions, traits and events” over the last six decades says Marshall. “The exhibition looks at the gentle, the humorous, the starkness, the beauty, and the realities experienced and captured by the photographers around their lives living and working in Britain,” she adds.

15 August 2018