Jean-Baptiste Pellerin has been photographing people on the street for over three decades, culminating in…
Awards
With €10,000 up for grabs to realise a project, the Greenpeace Photo Award is a great opportunity – and this year, the public decides who wins. Run with support from Geo Magazine, an awards jury has shortlisted seven photographers to choose from, each from a different country and each working on a series with an environmental theme.
The public has until 31 October to vote on the winner; a further €10,000 will go to a second winner selected by the jury, which this year includes curator and lecturer Lars Willumeit, and Geo Magazine chief photo editor Lars Lindemann.
The shortlisted photographers are: Niels Ackermann (Switzerland); Magda Biernat (USA); Arko Datto (India); Niklas Grapatin (Germany); Katrin Koenning (Australia); Pablo Piovano (Argentina); and Ian Willms (Canada).
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Born in 1993 in the Philippines, Ezra Acayan has won the 2018 Ian Parry Scholarship Award for Achievement for his series Duterte’s War On Drugs Is Not Over, which records the fall out from the war on drugs which President Rodrigo Duterte announced in 2016.
Threatening those connected to drug consumption and sales with the death penalty, Duterte urged members of the public to kill suspected criminals and drug addicts, and allowed the police to act with brutality. In the two years since, an estimated 20,000 people have been murdered and a state of emergency has been declared. The United Nations has appealed to the Philippine government to investigate extrajudicial killings and to prosecute the perpetrators, while the International Criminal Court has announced preliminary examinations into killings linked to the campaign.
Tough and hard-hitting, Acayan’s images aim to “illuminate the violent acts carried out in the Philippines as well as the questionable methods of Duterte and the police”.
“I have still never seen the first work I made as a photographer,” says Sabelo Mangleni, who started his career as a delivery boy for a local photographer in his hometown in Driefontein, four hours drive east of Johannesburg. The photographer he worked for had been asked to shoot a wedding but, unable to attend herself, asked Mangleni to cover it – sending him off with a camera around his neck and a crash course in photography. After the wedding the newlyweds quickly picked out the images they wanted to remember their day with – so quickly, Mangleni never got to see them.
Still, the experience of looking for a good photograph and working with people from within a community, got him hooked, and in 2001 Mangleni moved to Johannesburg and joined the Market Photo Workshop. Set up by renowned documentary photographer David Goldblatt in 1989, this well-respected organisation supported young black photographers during apartheid South Africa.
It was an excellent start in photography, but arriving in Johannesburg, Mangleni felt alienated. “I couldn’t understand what people were saying,” he says, describing the struggle to communicate with people in English, which he was still learning at the time. To avoid speaking, he channelled his feelings into photographs of the buildings and architecture, which lead to his first, and ongoing, series Big City.
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Founded in 2015 by Chinese photographer RongRong (who also also founded China’s first photography museum, Three Shadows Photography Art Centre) with Sam Stourdzé, director of Rencontres d’Arles, the Jimei x Arles International Photo Festival is the biggest of its kind in China. It returns this November with 30 exhibitions by over 70 artists, including shows brought over from Arles and exhibitions devoted to emerging Chinese image-makers.
The Jimei x Arles Discovery Award nominees features work by ten new Chinese photographers, for example – with one image-maker selected from the show to win 200,000 RMB plus a place in Arles’ prestigious Discovery Awards. This year the nominees are: Coca Dai (1976), Hu Wei (1989), Lei Lei (1985), Pixy Liao (1979), Lau Wai (1982), Shao Ruilu (1993), Shen Wei (1977), Su Jiehao (1988), Wong Wingsang (1990), and Yang Wenbin (1996)
Set up 14 years ago, Getty Images’ Reportage Grant awards “front-line photojournalists from around the world for projects with a strong visual narrative”, aiming to help them pursue long-term documentary projects. This year, the three selected photographers have won with very different projects – Giulio Di Sturco with Aerotropolis, The Way We Will Live Next; Léonard Pongo with The Uncanny; and Rose Marie Cromwell with King of Fish.