The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney

The Church of Our Becoming is Yulia Mahr’s challenge to the binary – here, the artist discusses the body of work as well as her upcoming show at Compton Verney
A conversation with Luis Juárez, editor of LATAM’s first queer photography magazine, on its latest issue and collaboration with Nan Goldin
Galerie Bene Taschen exhibit the works of Jamel Shabazz, Joseph Rodriguez and Gregory Bojorquez throughout the 1980s and 90s, documenting the genre’s rise to popularity
Kenyan-born, Washington DC-based photographer Polly Irungu, founder of the collective, is also one of the few Black women photographers to work at the White House
With a simple glass device, the London-based Pakistani-Bengali artist turns archival photo books into sinister revelations on British colonial histories
The New York gallery welcomes its artists to co-curate an exhibition marking three decades of work
Dreams on the Dying Stone charts migration, labour and agriculture in a country which is grappling with a politically polarised mood
Nimie Li’s graduate project about his mother explores his Chinese-British adolescence and poses questions around how movement effects intimacy
The world’s biggest photography festival, Arles largely avoids urgent politics, but includes many interesting exhibitions around images and how we use them