Frida Orupabo, another artist engaging with archival materials, creates collages that question colonial and modern representations of Black womanhood. Like Mohamoud’s public installation, Orupabo magnifies her intricate collage process into a giant installation on the north facade of 460 King St. W., a building in Toronto’s historical Garment District. The first piece, Woman with book, will be on view until September, when it’s switched out for another piece, Woman with snake. Through their arresting gazes, the women in the artist’s work assert their agency, reclaiming the power stripped of them within official archives. Framing Orupabo’s collages as a novel form of documentation, the public installation also asks us to imagine its location as a record, with layers and gaps systemically forgotten despite their saturation in complex histories.
The contemplation of place is also felt in the work of curator and artist Anique Jordan, whose contribution to CONTACT is grounded in her city’s recognition of what constitutes our definition of Toronto. Born and raised in Scarborough, a region in the east end of the city, Jordan has curated a three-part project, including two public installations and an exhibition at Doris McCarthy Gallery, brought together under the title Three-Thirty. Spotlighting Malvern, a neighbourhood boasting a wealth of successful intergenerational community organizers, Jordan worked with three local artists—Aaron Jones, Ebti Nabag, and Kelly Fyffe-Marshall—to generate programming, murals, and a film installation about the manifestation of youth culture and its relationship to power structures throughout the city.
The presence of Black creatives, making work throughout the sprawling fabric of Toronto, is by no means a new phenomenon—and this year’s festival demonstrates how so many of these storytellers, from the east to the west end of the city, are the foundation of the region’s art scene. “I wanted to work with CONTACT because it’s a great festival that shows really diverse works, which I’ve always admired,” reflects Mohamoud. “Working with them has allowed me to create something monumental, where the sheer scale of the work is hard to ignore.” Among the many compelling artists in this year’s Festival, CONTACT’s Core Program features Sasha Huber, Leyla Jeyte, Luther Konadu, Brianna Roye, Sebastein Miller, Christina Leslie, Dainesha Nugent-Palache, Bidemi Oloyede, and a group show at the Art Gallery of Ontario features the work of Dawoud Bey, John Edmonds, and Wardell Milan.