Text from Templeton’s diaries weaves through the photographs, her youthful, black handwriting scrawled across bright pink, college-ruled pages, which are echoed in the colour of the photobook’s cover. At the heart of her writing is a visceral identity struggle and attempt to understand her place in the world around her. More poignant excerpts focus on ruminations universal to adolescence – self-critical concerns about body image, drug use, sexuality, crushes, fraught parental relationships, arguments with friends – all of which have become more pronounced for today’s teenagers due in large part to social media’s insidious influence. At 15, Templeton goes as far as to draft an exhaustive will and suicide note, though, she remarks, “I never would have actually gone through with it”.
The placement of Templeton’s accounts and the photographs was carefully considered, to ensure no mistakes were made with regard to associating particular words with specific images. She was especially mindful of sequencing. “I didn’t want to place any entry I thought was really sensitive next to a person,” she says. “I didn’t want any misinterpretations.” By candidly revealing her intimate thoughts and reflections, Templeton de-stigmatises subjects which too often go undiscussed, demonstrating a path through even the most difficult times.
What She Said ends on Templeton’s 19th birthday with a lengthy series of entries and a snapshot of her boyfriend, Ed, with his arm around her shoulder. “I needed the journal when times were bad,” she explains. “But once the intensity lightened up, I didn’t need it anymore.” Meeting Ed Templeton, also a well-known street photographer – who became her husband two years later – “was the light at the end of the tunnel”. Her adolescent suffering culminates in a genuine love story, one that continues today, three decades later.
@deannatempleton