Picture This: Habitat

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In our ongoing series, six photographers provide work answering to a single word. Including text and work by Guy Tillim, Pixy Liao, Jack Latham and others, the images act as both question and answer to the concept of Habitat

Habitat is home. It is a word we most commonly associate with wildlife rather than humans, yet is an environment that we share. But habitats, homes, and safe spaces can be found in places outside of the familiar domestic interior. For some, the desired habitat is a far cry from their current home.

In the months since the spread of the Covid-19 pandemic, our habitat has been broken down, remade and recontextualised. Social environments such as bars, clubs, libraries and museums have been removed from daily life.

From those isolating in quarantine hotel rooms to those learning to work from home, the spaces we exist in have shifted, in turn, shifting us. Reflections of identity can be found in one’s surroundings, yet sometimes these surroundings create unease and hostility.  Aside from the virus, this habitat is under attack from the ongoing climate crisis. Natural ecosystems disappear at unprecedented rates, animal extinction continues, and both human and wildlife displacement can be seen across the world. Habitats are not only lost, but stolen.

Home may be where the heart is, but the habitat houses the body, venturing between safety to danger, love to hate, sickness to health. The habitat can be external and internal, a refuge or an aggressor. We asked five photographers to share an image that they connected with habitat, with thoughts from Anastasia Samoylova, Pixy Liao, George Selley, Jack Latham and Guy Tillim.

Anastasia Samoylova

“In the shimmery water of Cape Romano, on Florida’s west coast, stands this ruin of a fantasy vacation house, built by an oil magnate in the 1980s. It was constructed on land, with a large setback from the shore. It is now being increasingly claimed by the water and is only accessible by boat. Looking like a surreal creature from a Dali painting, the structure is a stark sign of the ever-shifting landscape. Hurricane Irma took out two of the six domes in 2017. They now serve as an artificial reef for fish and mollusks. The remaining domes are peppered with migratory birds using them as a landing point. With its sci-fi silhouette the structure went from being an oil-producer’s retreat to a home for Florida’s abundant marine wildlife in a fragile ecosystem.”

Anasamoylova.com

Isaac Huxtable

Isaac Huxtable is a freelance writer, as well as a curator at the arts consultancy Artiq. Prior to this, He studied a BA in History of Art at the Courtauld Institute, followed by roles at British Journal of Photography and The Photographers' Gallery. His words have featured in British Journal of Photography, Elephant Magazine, Galerie Peter Sellim, The Photographers' Gallery, and The South London Gallery. He is particularly interested in documentary ethics, race, gender, class, and the body.