Commissioned by WaterAid and 1854/British Journal of Photography as part of the WaterAid Climate Commission, the storytelling duo blend their distinct styles to create a nuanced portrait of the situation

Commissioned by WaterAid and 1854/British Journal of Photography as part of the WaterAid Climate Commission, the storytelling duo blend their distinct styles to create a nuanced portrait of the situation
Commissioned by WaterAid and 1854/British Journal of Photography, Chow spent 16 days living on a boat, documenting how the water crisis is affecting communities on Southeast Asia’s largest freshwater lake
Commissioned by WaterAid and 1854/British Journal of Photography as part of the WaterAid Climate Commission, Wata Na Life captures communities banding together in the face of an increasingly volatile climate
Mendez & Kaplan to investigate the impact of climate change in Colombia in a new collaboration between WaterAid and 1854
A new commission by WaterAid and 1854 will see Ngadi Smart explore Freetown’s complex water supply problems and what it’s young people are doing about it.
In collaboration with 1854/British Journal of Photography, WaterAid is commissioning three new photographic projects exploring the ways in which the climate crisis is obstructing people’s basic rights to clean water, decent sanitation and personal hygiene — especially in some of the world’s poorest countries.
On this day ten years ago, the UN recognised clean water and sanitation as a human right, but one in ten people still lack access. Wateraid commissioned 10 visual artists from the global south to respond to this issue
Worldwide, one in ten people do not have access to clean water. Vivianne Sassen collaborates with WaterAid and
Alice Mann has won the Taylor Wessing Photographic Portrait Prize 2018 with a set of four images of South African drum majorettes – the first time the award has gone to a series not a single shot.
Mann’s photographs show five young girls from Cape Town dressed as ‘drummies’ – a popular hobby for children from some of South Africa’s most disadvantaged communities. Mann, who is now based in London but originally from South Africa, spent three months photographing drum majorettes, and says her winning portraits come from a much larger series.
“The images are part of a much larger body of work, which is a combination of a more documentary approach and portraits,” she explains. “These four portraits are some of my favourite images, especially the one of Riley and Wakiesha because they are so charismatic.