The artist makes wry commentaries on the immigrant experience using scattered visual fragments, from the depths of Tennessee’s Chinatown to the fishing communities of rural Vietnam. A new book and exhibition prove there’s method to the melange
Despite the challenges of scarce resources and strict censorship laws, the two-person team behind Matca – an online journal, community space and publishing imprint in Hanoi – are determined to strengthen their local scene
Andrea Orejarena and Caleb Stein gave their collaborators control over their narrative, culminating in a multi-disciplinary body of work that reflects on questions of authorship
Covering images from the 19th century to today, National Gallery Singapore’s extensive show illustrates how the region has shaped the global history of the medium
“As I grapple with what took place, I hope that the project allows the viewer a more intimate encounter and insight into the aftermath of war”
An interview with Don McCullin is never going to be a dull affair – he is a complex man who has told the story of his life many times before. He is unfailingly polite and gentlemanly, but one detects a slightly weary tone as he goes over the familiar ground. He often pre-empts the questions with clinical self-awareness.
The story of McCullin’s rise from the impoverished backstreets of Finsbury Park in north London is one of fortuitous good luck, but it didn’t start out that way. Born in 1935, he was just 14 when his father died, after which he was brought up by his dominant, and sometimes violent, mother. During National Service with Britain’s Royal Air Force, he was posted to Suez, Kenya, Aden and Cyprus, gaining experience as a darkroom assistant. He bought a Rolleicord camera for £30 in Kenya, but pawned it when he returned home to England, and started to become a bit of a tearaway.
Redemption came when his mother redeemed the camera, and MccCullin started to take photographs of a local gang, The Guvners. One of the hoodlums killed a policeman, and McCullin was persuaded to show a group portrait of the gang to The Observer. It published the photo, and kick-started a burgeoning career as a photographer for the newspaper.
Publications we loved, and the big news stories from the last month in photobooks, including American Winter by Gerry Johansson, Void’s Hunger project, and JA Mortram’s Small Town Inertia
“On s’engage, on va le faire” – that is, “We’re in, we’ll do it”. The…
Simone Sapienza won the Undergraduate series prize at the Breakthrough Awards 2016 with an astonishingly…